“Svengoolie” to present his big broadcast of “House of Frankenstein” (1944) with Glenn Strange and Boris Karloff, this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing for joy for a classic mammoth Universal Studios monster masterpiece with several horror and monster silver screen legends.

“Svengoolie” presents his big broadcast of “House of Frankenstein” (1944) with Glenn Strange, Boris Karloff, Lon Chaney Jr. and John Carradine

A snippet from Erle C. Kenton‘s classic mammoth Universal Studios monster masterpiece production of “House of Frankenstein” (1944), featuring Glenn Strange, Boris Karloff and Lon Chaney Jr.

“All together- History’s weirdest household!” Latter Realart theatrical re-issue poster art for Erle C. Kenton’s classic mammoth Universal Studios monster masterpiece production of “House of Frankenstein.”

The legendary and iconic Berwyn/Chicago-based monster/horror film host will present his big broadcast of “House of Frankenstein” (1944), this Sat.; May 11 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1944 Universal monster masterpiece production was directed by veteran actor-turned-director Erle C. Kenton. Kenton was part of pioneering silent feature film comedian-actor-producer Mack Sennett’s original pioneering “Keystone Kops” silent comedy players troupe for Sennett’s Keystone Film Company before going into the field of directing films; according to IMDB.

Kenton also directed the classic mammoth Paramount Pictures supernatural/sci-fi screen masterpiece adaptation of H.G. Wells’ “Island of Lost Souls” (1932) with Charles Laughton, horror feature film legend Bela Lugosi, Leila Hyams, Kathleen “Panther Woman” Burke, Richard Arlen and young Alan Ladd.

Kenton also worked on the classic mammoth Universal “Frankenstein” monster masterpiece installment of “The Ghost of Frankenstein” (1942) with  Lon Chaney Jr., Bela Lugosi, Evelyn Ankers, Sir Cedric Hardwicke, Ralph Bellamy and  Dwight Frye; his classic mammoth Universal comedy masterpiece with  Bud Abbott and Lou Costello, including “Who Done It?” (1942) with Louise Allbritton, Patric Knowles, Mary Wickes, Don Porter and William Bendix and “Pardon My Sarong” (1942) with Charles Fuqua, Hoppy Jones, Bill Kenny and Deek Watson of the legendary jazz vocal singing group The Four Ink Spots; Virginia Bruce, Lionel Atwill, William Demarest (who later appeared on TV’s “My Three Sons/Ernie ‘Binge the Cringe’” from 1965-72), Leif Erickson and Herb Vigran and his classic mammoth Universal thriller masterpiece production of “The Cat Creeps” (1946) with Noah Beery Jr., Lois Collier, Paul Kelly and Douglass Dumbrille.

The original story idea/treatment for Kenton’s classic mammoth Universal monster masterpiece production of “House of Frankenstein” (1944) was written by veteran science fiction author and screenwriter Curt Siodmak; who also wrote the screenplay for George Waggner‘s classic mammoth Universal monster masterpiece production of “The Wolf Man” (1941) with Lon Chaney Jr., Evelyn Ankers,  Claude Rains, Bela Lugosi, Maria Ouspenskaya, Ralph Bellamy, Warren William and Patric Knowles.  Siodmak’s other script/story and screenplay treatments include “The Invisible Man Returns” (1940), “The Invisible Woman” (1940), “Invisible Agent” (1942), “Frankenstein Meets the Wolf Man” (1943), “Son of Dracula” (1943), “The Beast with Five Fingers” (1946, for competing studio Warner Bros.) and the Universal production of  “Curucu, Beast of the Amazon” (1956).

Siodmak’s original story treatment/idea for “House of Frankenstein” (1944) was adapted into a screenplay by veteran screenwriter Edward T. Lowe Jr., who also co-wrote the screenplay adaptation of Sir Arthur Conan Doyle’s “Sherlock Holmes” mystery novel of  “The Dancing Men” with veteran screenwriters Scott Darling and Edmund L. Hartmann for Roy William Neill’s classic mammoth Universal “Sherlock Holmes” mystery masterpiece adaptation production of “Sherlock Holmes and the Secret Weapon” (1942) with Basil Rathbone, Nigel Bruce, Kaaren Verne, Holmes Herbert, Whit Bissell and Lionel Atwill.  The junior Lowe also wrote the screenplay for Kenton’s classic mammoth Universal monster masterpiece production of “House of Dracula” (1945).  “House of Frankenstein” (1944) was produced by veteran producer Paul Malvern.

This will mark Sven’s ninth big broadcast of “House of Frankenstein” (1944) on the airlanes Me-TV.  He previously showcased Kenton’s classic mammoth 1944 Universal monster masterpiece production as a big coast-to-coast Me-TV broadcast premiere back in Jan. 2012* and as regular big broadcasts back in Dec. 2012*, Nov. 2013, April 2014, Dec. 2015, Jan. 2017, Aug. 2018 and Oct. 2021 as part of Sven’s Oct. 2021 “Franken-Fest” month-long big broadcast showcases of classic mammoth Frankenstein/Frankenstein-themed feature film masterpieces.

In Sven’s Berwyn/Chicago “Son of Svengoolie” days, he previously showcased Erle C. Kenton’s classic mammoth 1944 Universal monster masterpiece production of “House of Frankenstein” as a Berwyn/Chicago, Illinois “Son of Sven” big broadcast premiere back on WFLD/32 in 1981; according to video footage that was unearthed by Berwyn/Chicago television archivist Rick Klein’s FuzzyMemoriesTV: The Museum of Classic Chicago Television via the Internet Archive.

Son of Sven/Rich Koz/Sven later showcased “House of Frankenstein” (1944) as a regular Berwyn/Chicago “Son of Sven” big broadcast on WFLD back in July 1984 (during the station’s Metromedia era), according to IMDB.

Sven/Rich Koz later showcased the classic mammoth 1944 Erle Kenton-Universal monster masterpiece production as a big broadcast on his hometown TV station in Berwyn/Chicago, WCIU-TV 26 back in Dec. 2007; according to IMDB.

Who was in Erle C. Kenton’s classic mammoth Universal monster masterpiece production of “House of Frankenstein” (1944)?

The players who appeared in Erle C. Kenton’s classic mammoth Universal monster masterpiece production of “House of Frankenstein” (1944) were Glenn Strange (as Frankenstein’s monster), Boris Karloff (as Dr. Gustav Niemann), Lon Chaney Jr. (as Larry “Wolf Man” Talbot), John Carradine (as Count Dracula, a.k.a. Baron Latos), Anne Gwynne (as Rita Hussman), J. Carrol Naish (as Daniel), Peter Coe (as Carl Hussman), Sig Ruman (as Hussman), Lionel Atwill (as Inspector Arnz), George Zucco (as Prof. Bruno Lampini), Elena Verdugo (as Ilonka), William Edmunds (as Fejos), Charles Miller (as Burgomeister Toberman), Philip Van Zandt (as Inspector Muller), Julius Tannen (as Hertz), Hans Herbert (as Meier), Dick Dickinson (as Borg), George Lynn (as Inspector Gerlach), Michael Mark (as Frederick Strauss), Olaf Hytten (as Hoffman), Frank Reicher (as Ullman) and Brandon Hurst (as Dr. Geissler).

“Svengoolie” presents his big premiere of Dan Curtis’ “Dracula” (1974) with Jack Palance, this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast premiere of a classic mammoth made-for-TV vampire adaptation masterpiece.

“Svengoolie” presents his big broadcast premiere of Dan Curtis’ “Dracula” (1974) with Jack Palance

British theatrical trailer for Dan Curtis‘ classic mammoth made-for-TV movie masterpiece adaptation, “Dan Curtis’ Dracula” (1974) with Jack Palance; released theatrically in Great Britain by now-former British recording, film & technology giant EMI under the title of “Bram Stoker’s Dracula**.”

British EMI theatrical poster art for “Dan Curtis’ Dracula” (1974) with Jack Palance.

The legendary and iconic Berwyn/Chicago-based classic mammoth monster/horror feature film masterpiece host will present his big broadcast premiere of “Dan Curtis’ Dracula” (1974) this Sat., March 23 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1974 made-for-TV movie adaptation masterpiece of Bram Stoker’s gothic vampire novel, “Dracula” was directed by veteran TV and feature film director-producer Dan Curtis. Curtis was best-known for producing and directing his own classic mammoth ABC television network gothic horror masterpiece series production, “Dark Shadows” (1966-71) with Jonathan Frid (in the lead role of vampire Barnabas Collins) and Grayson Hall (in the lead role of Dr. Julia Hoffman, also of 1972’s “Gargoyles” fame).  Curtis also directed two classic mammoth Metro-Goldwyn-Mayer (MGM) gothic horror feature film masterpiece adaptations of his ABC-TV “Dark Shadows” series; “House of Dark Shadows” (1970) with Frid and “Night of Dark Shadows” (1971, produced and released around the same time that ABC cancelled “Dark Shadows”).  20 years after the final ABC broadcast of “Dark Shadows,” Curtis reunited with MGM to produce a newer, short-lived primetime “Dark Shadows” series for rival network NBC in 1991 with Ben Cross in the role of vampire Barnabas Collins in the latter/brief Curtis/MGM/NBC “Dark Shadows” series revival.

Curtis was also involved with two classic mammoth ABC “Movie of the Week”/”Kolchak” made-for-TV movie supernatural masterpiece pilots, “The Night Stalker” (1972, produced by Curtis, directed by John Llewellyn Moxey) with  Darren McGavin (of the 1958-59 “Mickey Spillane’s Mike Hammer” TV adaptation series fame and later of 1983’s “A Christmas Story” fame), Carol Lynley (of 1972’s “The Poseidon Adventure” fame), Claude Akins (later of TV’s “Movin’ On” fame and TV’s “B.J. and the Bear“/“The Misadventures of Sheriff Lobo” fame), Larry Linville (of  TV’s “M*A*S*H” fame), Simon Oakland (of Alfred Hitchcock‘s “Psycho” fame, Peter Yates’ “Bullitt” fame and TV’s “Black Sheep Squadron”/”Baa Baa Black Sheep” fame), Ralph Meeker, Charles McGraw, Kent Smith, Elisha Cook Jr., Stanley Adams, Jordan Rhodes and Barry Atwater and “The Night Strangler” (1973, produced and directed by Curtis) with McGavin, Oakland, Jo Ann Pflug (of Robert Altman‘s 1970 “M*A*S*H” feature film fame), Wally Cox (of TV’s “Mister Peepers” fame and of interest to fellow Super Tooners/Super SvenPals of Toony & Bill’s “Toon In With Me,” of the vocal stylings of TV’s “Underdog“ fame), Margaret Hamilton (of 1939’s “The Wizard of Oz” fame, 1940’s “The Invisible Woman” fame, 1960’s “13 Ghosts” fame and in the latter part of her acting career- “Cora” for TV commercials for Maxwell House Coffee ), Al “Grampa” Lewis (of TV’s “The Munsters” fame and of 1966’s “Munster, Go Home!“ fame), Richard Anderson (of 1956’s “Forbidden Planet” fame), veteran horror actor John Carradine, Kate Murtagh (of 1977’s “The Car” fame and on the album cover of Supertramp‘s “Breakfast In America“ fame), Nina Wayne, Virginia Peters, Ivor Francis, Diane Shalet, Anne Randall, Francoise Birnheim and Regina Parton/Ethel Parker.  The two classic mammoth ABC “Kolchak” made-for-TV movie masterpieces later inspired the 1974-75 classic mammoth Universal Studios/ABC “Kolchak” supernatural masterpiece TV series, “Kolchak: The Night Stalker” with McGavin and Oakland reprising their roles from the two aforementioned classic mammoth ABC “Kolchak” made-for-TV movie masterpiece productions.

Curtis also produced and directed his classic mammoth ABC made-for-TV thriller-horror anthology movie masterpiece production of “Trilogy of Terror” (1975) with  Karen Black , Robert Burton, John Karlen, George Gaynes, Jim Storm, Kathryn Reynolds, Orin Cannon, Gregory Harrison, Tracy Curtis  and the vocal stylings of Walker Edmiston.  Curtis also directed the classic mammoth critically-acclaimed Emmy award-winning Paramount Pictures/ABC made-for-TV wartime drama masterpiece miniseries adaptation of Herman Wouk‘s “The Winds of War” (1983) with Robert Mitchum, Ali MacGraw, Ralph Bellamy, John Houseman, Topol (of 1971’s “Fiddler on the Roof” fame), Polly Bergen and Peter Graves and a follow-up classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece sequel miniseries adaptation that was produced entirely by ABC, Herman Wouk’s “War and Remembrance” (1988-89) with Mitchum, Bellamy, Topol, Bergen, Sami Frey, Robert Hardy, Jane Seymour and William Schallert.

For his made-for-TV adaptation of “Dracula,” Curtis co-produced his classic mammoth telefilm adaptation with veteran associate producer Robert Singer.  Singer previously co-produced Curtis’ classic mammoth ABC “Kolchak” made-for-TV masterpiece sequel, “The Night Strangler” (1973).  Singer later served as executive producer of the classic mammoth Warner Bros./NBC sci-fi masterpiece series, “V” (1984-85) with Jane Badler, June Chadwick, Jennifer Cooke, Robert Englund (of “A Nightmare on Elm Street” fame), Faye Grant, Marc Singer, Jeff Yagher and guest appearances by Howard K. Smith (former news anchor/correspondent of rival networks CBS and ABC) and Duncan Regehr (of “The Monster Squad” fame).

Inspired by Bram Stoker‘s gothic novel, the screenplay for Curtis’ classic mammoth made-for-TV adaptation masterpiece production of “Dracula” (1974) was written by veteran author Richard Matheson. Matheson wrote the original story treatment for Jack Arnold’s classic mammoth Universal Studios sci-fi/fantasy/visual effects masterpiece, “The Incredible Shrinking Man” (1957) with Grant Williams, Randy Stuart, April Kent, Paul Langton, a pre-“Beverly Hillbillies” Raymond Bailey, William Schallert and Lock Martin (of 1951’s “The Day the Earth Stood Still” fame).

He also wrote the screenplay adaptation of Roger Corman‘s classic mammoth American-International macabre-thriller-comedy masterpiece adaptation of Edgar Allan Poe‘s 1845 gothic poem, “The Raven” (1963) and he also co-wrote the screenplay with  Elsie Lee for Jacques Tourneur‘s classic mammoth American-International horror-comedy masterpiece production of “The Comedy of Terrors” (1963/64) with Vincent Price, Joyce Jameson, Boris Karloff, Peter Lorre, Basil Rathbone, Joe E. Brown, Beverly Powers, Buddy Mason, Alan DeWitt, Douglas Williams, Linda Rogers, Luree Holmes, Charles Soldani, Harvey Parry, Paul Barselou and Orangey/Rhubarb the Cat. Matheson also wrote the screenplay for Steven Spielberg‘s classic mammoth Universal Studios action-adventure-thriller masterpiece production of “Duel” (1971, originally produced as a Universal/ABC made-for-TV movie masterpiece production and one of Spielberg’s earliest productions) with Dennis Weaver, Jacqueline Scott, Lucille Benson, Eddie Firestone,  Lou Frizzell, Shirley O’ Hara, Gene Dynarski and Amy Douglass.  Matheson also wrote the teleplay for John Llewellyn Moxey and Dan Curtis’ classic mammoth ABC “Kolchak” made-for-TV movie masterpiece pilot, “The Night Stalker” (1972).

Curtis’s classic mammoth 1974 made-for-TV masterpiece adaptation of “Dracula” premiered on the CBS television network on Feb. 8, 1974; according to IMDB.

According to the Feb. 8, 1974 edition of the Hanover Evening Sun newspaper of Hanover, Pennsylvania; CBS programmed “Dan Curtis’ Dracula” (1974) after an episode of “Good Times.”  Curtis’ “Dracula” feature adaptation was showcased on CBS opposite episodes of “The Girl with Something Extra” and The Dean Martin Comedy Hour/Dean Martin Celebrity Roast on NBC and episodes of “The Six Million Dollar Man,” “The Odd Couple” and “Toma” on ABC.

For the original Feb. 8, 1974 CBS big broadcast premiere of “Dan Curtis’ Dracula,” Curtis’ classic mammoth made-for-TV vampire/horror movie masterpiece adaptation aired on CBS-owned WBBM-TV Channel 2 in Berwyn/Chicago, Illinois  and on a regional scale for the home region/home office of “Silver Screen Reflections;” the CBS/Dan Curtis adaptation of “Dracula” was showcased on WTOP-TV Channel 9 (which later became WDVM in 1978 and became W*USA 9 in 1986) in the Washington, D.C./Frederick, Maryland/Northern Virginia region and on the “Keystone Network” trio of CBS-affiliated TV stations for the Hanover/Gettysburg/York/Harrisburg, Pennsylvania viewing area at the time- the now-former WLYH-TV 15 (which was affiliated with CBS until 1995), WHP-TV 21 (which became the primary CBS affiliate for the Hanover/Gettysburg/York/Harrisburg, Pennsylvania area after 1995) and WSBA-TV 43 (once linked to Pennsylvania’s Pfaltzgraff pottery business– which lost its CBS network affiliation after the station was sold in 1983 and became WPMT-43).  

“Dan Curtis’ Dracula” (1974) was pre-empted in Baltimore, Maryland by then-CBS affiliate WMAR-TV 2; a syndicated movie airing of “A Man Called Sledge” (1970, part of a Columbia Pictures/Screen Gems syndicated movie package the station bought at the time) aired in its place.  CBS later switched affiliations with Hearst-owned (and future Me-TV affiliate) WBAL-TV 11 in 1981 (WBAL returned to NBC in 1995)– CBS would later move to Westinghouse/Group W-owned WJZ-TV 13 in Jan. 1995– shortly before Westinghouse/Group W (which also bought Chicago’s WXRT-FM 93.1/93XRT that same year) merged with CBS. 

Who was in “Dan Curtis’ Dracula” (1974)?

The players who appeared in Dan Curtis’ classic mammoth CBS/made-for-TV vampire movie masterpiece adaptation production of “Dracula” (1974) were Jack Palance (as Count Dracula), Simon Ward (as Arthur), Nigel Davenport (as Van Helsing), Pamela Brown (as Mrs. Westenra), Fiona Lewis (as Lucy), Penelope Horner (as Mina), Murray Brown (as Jonathan Harker), Virginia Wetherell, Barbara Lindley and Sarah Douglas (as Dracula’s wives, Virginia Wetherell received credit under the name of Virginia Wetherall), George Pravda (as the innkeeper), Hana Maria Pravda (as the wife of the innkeeper), Reg Lye (as the zookeeper), Fred Stone (as the priest), Roy Spencer (as the clerk of the Whitby Inn), John Challis (as the Stockton-on-Tees clerk), Nigel Gregory (as the Midvale Shipping clerk), John Pennington (as the Richmond Shipping clerk), Martyn Read (as a member of the Coast Guard), Gita Denise (as Madam Kristoff), Sandra Caron (in an uncredited role as the maid of the Whitby Inn) and Eddie Powell (in an uncredited role as a patron of the Whitby Inn).

“Svengoolie” presents his big broadcast of William Castle’s “13 Ghosts” (1960), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth Columbia Pictures macabre gimmick thriller masterpiece from one of the legendary macabre film directors.

“Svengoolie” presents his big broadcast of William Castle’s “13 Ghosts” (1960)

Original 1960 Columbia Pictures theatrical release trailer for William Castle‘s classic mammoth macabre gimmick thriller masterpiece in the magic of “Illusion-O,” “13 Ghosts;” featuring an exclusive trailer introduction by Castle.

“13 Times the Thrills!” “13 Times the Screams!” “13 Times the Fun!” “See the ‘Ghosts’ in ‘Ectoplasmic’ Color!” Original 1960 Columbia Pictures theatrical poster art for William Castle’s “13 Ghosts” in “Illusion-O.”

The legendary and iconic Berwyn/Chicago-based classic mammoth thriller feature film masterpiece host will present his big broadcast of “13 Ghosts” (1960) this Sat., March 9 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1960 Columbia macabre thriller was directed by the legendary master of macabre cinema, William Castle. For the majority of Castle’s motion picture career, he produced and directed numerous feature films for Columbia Pictures.

Before he went into the art and innovation of macabre-thriller “gimmick”-style feature film masterpiece productions, he directed numerous classic mammoth Columbia feature film masterpiece productions, including the western “Klondike Kate” (1943) with Glenda Farrell (of Warner Bros.‘ “Mystery of the Wax Museum” and Warners’ “Torchy Blane” fame), Ann Savage, Tom Neal and future TV producer Sheldon Leonard.

He also directed four entries in Columbia’s “The Whistler” feature film adaptation series (adapted from the CBS Radio mystery series of the same name) with Richard Dix, “The Whistler” (1944, also with Gloria Stuart of 1933’s “The Invisible Man” and 1997’s “Titanic” fame), “The Mark of the Whistler” (1944, also with Janis Carter and Porter Hall), “Voice of the Whistler” (1945, also with Lynn Merrick and Rhys Williams) and “Mysterious Intruder” (1946, also with Nina Vale and Barton MacLane of Warners’ “Torchy Blane” fame and later of TV’s “I Dream of Jeannie” fame in the latter part of his acting career) and four entries in Columbia’s “Crime Doctor” mystery feature film masterpiece adaptation series with Warner Baxter; “The Crime Doctor’s Warning” (1945, also with John Litel and Dusty Anderson), “Just Before Dawn” (1946, also with Adele Roberts and Martin Kosleck), “Crime Doctor’s Man Hunt” (1946, also with Ellen Drew and William Frawley; later of TV’s “I Love Lucy” and “My Three Sons”/”Binge the Cringe” fame) and “The Crime Doctor’s Gamble” (1947, also with Micheline Cheirel and Roger Dann).

Castle also produced Orson Welles‘ classic mammoth critically-acclaimed Columbia film noir-drama masterpiece production of “The Lady From Shanghai” (1947) with Welles, Rita Hayworth and Everett Sloane, Castle also co-wrote the screenplay for the aforementioned 1947 Columbia production with Welles and Sherwood King.   The veteran director-producer also directed hs classic mammoth Columbia feature-length adventure masterpiece and the very first 3-D film for Columbia Pictures, “Fort Ti” (1953) with George Montgomery, Joan Vohs, Irving Bacon and young Rusty Hamer (later of TV’s “Make Room for Daddy”/”The Danny Thomas Show” fame).

Alongside “13 Ghosts” (1960), many of Castle’s classic mammoth Columbia macabre “gimmick” feature film masterpiece productions alongside include “The Tingler” (1959) with Vincent Price, Judith Evelyn and Darryl Hickman;  “Mr. Sardonicus” (1961) with Guy Rolfe, Oscar Homolka, Audrey Dalton, Lorna Hanson, Ronald Lewis, Erika Peters and Vladimir Sokoloff; “Homicidal” (1961) with Glenn Corbett, “Zotz!” (1962) with Tom Poston (later of TV’s “Newhart” fame), Julia Meade, Jim Backus (of interest to fellow Super Tooners/Super SvenPals of Toony & Bill’s “Toon In With Me,” the vocalizations of “Mister Magoo” for the Columbia-UPA theatrical cartoon series and the latter UPA TV adaptation and his Live-Action appearances of TV’s “Gilligan’s Island” fame), Margaret Dumont (who previously appeared in seven of The Marx Brothers’ classic mammoth feature film comedy masterpieces from 1929–41) and Fred Clark,  “The Old, Dark House” (1962/63, co-produced with Britain’s Hammer Films) with Poston and Janette Scott and “Strait-Jacket” (1964) with Joan Crawford, Diane Baker, Leif Erickson, young George Kennedy and young Lee Majors (later of TV’s “The Big Valley” and “The Six Million Dollar Man” fame).

Alongside Castle’s long career at Columbia, he also directed his earlier classic mammoth macabre gimmick thriller masterpiece productions for Allied Artists, notably “Macabre” (1958) with Jim Backus, Christine White and William Prince and “House on Haunted Hill” (1959) with Vincent Price, Carol Ohmart, Richard Long, Julie Mitchum, Elisha Cook Jr.,  Carolyn Craig, Alan Marshal and Leona Anderson. Castle also directed several classic mammoth macabre thriller masterpieces for rival Universal Studios, including “The Night Walker” (1964) with Barbara Stanwyck, Robert Taylor and Hayden Roarke (later of TV’s “I Dream of Jeannie” fame) and “I Saw What You Did” (1965) with Joan Crawford, John Ireland and Leif Erickson.  Castle later directed several productions for rival Paramount Pictures, including his classic mammoth Paramount comedy masterpiece production of “The Busy Body” (1967) with Sid Caesar, Richard Pryor, Anne Baxter and Robert Ryan and his classic mammoth Paramount sci-fi masterpiece production of “Project X” (1968) with Christopher George, Greta Baldwin, Henry Jones, Harold Gould and Monte Markham.   Near the end of his life, Castle later appeared in a cameo appearance in John Schlesinger‘s classic mammoth Paramount studio drama-thriller masterpiece production of “The Day of the Locust” (1975) with Karen Black, Donald Sutherland, Burgess Meredith and Geraldine Page.

Castle returned to Columbia Pictures to serve as an executive producer for the studio’s brief classic mammoth horror-thriller TV anthology masterpiece series, “Ghost Story/Circle of Fear” (1972-73), produced under Columbia’s Screen Gems TV unit for the NBC television network.  Alongside directing “13 Ghosts” (1960), Castle also produced his classic mammoth Columbia “Illusion-O” feature macabre thriller gimmick masterpiece production.

The screenplay for Castle’s classic mammoth 1960 Columbia “Illusion-O” macabre thriller masterpiece production of “13 Ghosts” was written by veteran Castle screenwriter/associate producer/production collaborator and novelist Robb White.  White also wrote the screenplay for Castle’s classic mammoth Allied Artists macabre thriller masterpiece production of “House on Haunted Hill” (1959) and Castle’s classic mammoth Columbia macabre masterpiece productions of “The Tingler” (1959) and “Homicidal” (1961).  Alongside working with William Castle during his screenwriting and feature film/TV production career, Robb White wrote the teleplay treatments for eight episodes of the classic mammoth CBS television drama masterpiece series adaptation of Erle Stanley Gardner‘s “Perry Mason” with Raymond Burr, Barbara Hale, William Hopper, Ray Collins and William Talman from 1961-65 (the eight “Perry Mason” episodes that White wrote for the series were 1961’s “The Case of the Traveling Treasure,” 1962’s “The Case of the Melancholy Marksman,” 1963’s “The Case of the Lover’s Leap,” “The Case of the Deviant Delinquent,” 1964’s  “The Case of the Bountiful Beauty,” “The Case of the Careless Kidnapper,” “The Case of the Reckless Rockhound” and 1965’s “The Case of the Candy Queen”).   To paraphrase Sven, “Robb White wrote eight episodes of.. “Perry Mason!” -C.H.

This will mark Sven’s third big broadcast of Castle’s classic mammoth 1960 Columbia Pictures “Illusion-O” macabre thriller masterpiece production on the airlanes of Me-TV.  He previously showcased “13 Ghosts” (1960) as a coast-to-coast Me-TV big broadcast premiere back in Oct. 2018 and as a regular Me-TV big broadcast back in Sept. 2019.

In Sven/Rich Koz’s home area of Berwyn/Chicago, Illinois; he previously showcased William Castle’s classic mammoth Columbia macabre thriller masterpiece production of “13 Ghosts” (1960) as a Berwyn/Chicago big broadcast showcase on his hometown TV station in Berwyn/Chicago, Illinois; WCIU-TV 26 back in Nov. 2009; according to IMDB.

Who was in William Castle’s classic mammoth Columbia macabre thriller masterpiece production of “13 Ghosts” (1960, in “Illusion-O”)?

The players who appeared in William Castle’s classic mammoth Columbia Pictures “Illusion-O” macabre-thriller masterpiece production of “13 Ghosts” (1960) were Charles Herbert (as Buck Zorba), Martin Milner (as Benjamen Rush), Jo Morrow (as Medea Zorba), Donald Woods (as Cyrus Zorba), Margaret Hamilton (as Elaine Zacharides), Rosemary DeCamp (as Hilda Zorba), David Hoffman (in an uncredited role as a messenger),  John Van Dreelen (as Van Allen), Jeanne Baker, Ralph Helfer, William Kelley, Hubie Kerns, Darryl Scott McFadden, John Burnside and Roy Jenson (in uncredited roles as “ghosts”).

“Svengoolie” presents his big broadcast of “The Invisible Man’s Revenge” (1944), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth Universal Studios “Invisible” sci-fi/monster series installment masterpiece.

“Svengoolie” presents his big broadcast of “The Invisible Man’s Revenge” (1944)

John Carradine and Jon Hall in Ford Beebe‘s classic mammoth Universal Studios “Invisible” sci-fi/monster masterpiece production of “The Invisible Man’s Revenge” (1944). Sidebar: The original Universal theatrical release trailer and/or the latter Realart theatrical re-release trailer(s) for “The Invisible Man’s Revenge are unavailable as of this writing. -C.H.

“A ‘Trail of Terror’!” Original 1944 Universal Studios theatrical poster art for “The Invisible Man’s Revenge.”

The legendary and iconic Berwyn/Chicago-based classic mammoth monster/sci-fi feature film masterpiece host will present his big broadcast of “The Invisible Man’s Revenge” (1944), this Sat.; March 2 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1944 Universal “Invisible” sci-fi/monster feature film masterpiece installment was directed by veteran newspaper journalist-turned-feature film screenwriter/director/producer Ford Beebe. Beebe previously wrote the screenplay for Joseph Kane’s classic mammoth Republic Pictures western musical drama masterpiece with legendary singing cowboy Gene Autry, Smiley Burnette, Lucile Browne and George “Gabby” Hayes, “Tumbling Tumbleweeds” (1935, inspired by the legendary Sons of the Pioneers & their classic mammoth 1934 U.S. Decca country & western masterpiece recording, which was also one of Autry’s classic mammoth country & western masterpiece recordings that he & his trio recorded in 1935 for Brunswick/Melotone and was quickly re-issued on the record label that Autry was associated with for most of his recording career, Columbia Records/CBS along with Columbia/CBS’ OKeh imprint).

Beebe’s other productions that he was involved with included the classic mammoth Universal serial masterpiece adaptation  of “Buck Rogers” (1939, co-directed with Saul A. Goodkind) with Olympic swimming champion Buster Crabbe, Constance Moore and Jackie Moran; the latter classic mammoth Universal “Flash Gordon” serial masterpiece adaptation installment  “Flash Gordon Conquers the Universe” (1940, co-directed with Ray Taylor) with Crabbe, Carol Hughes, Charles Middleton and Anne Gwynne; the classic mammoth Universal serial masterpiece adaptation of “The Green Hornet” (1940) with Gordon Jones, Keye Luke and Anne Nagel;  and his classic mammoth Universal horror feature masterpiece production of  “Night Monster” (1942) with Bela Lugosi, Lionel Atwill, Irene Hervey, Leif Erickson, Ralph Morgan, Don Porter, Nils Asther, Doris Lloyd, Frank Reicher, Francis Pierlot, Robert Homans, Janet Shaw, Eddy Waller and Cyril Delevanti.  Alongside directing “The Invisible Man’s Revenge,” Beebe also served as producer of the 1944 classic mammoth Universal “Invisible” sci-fi/monster masterpiece adaptation installment.

The screenplay for Beebe’s classic mammoth 1944 Universal “Invisible” sci-fi/monster feature masterpiece installment production was inspired by veteran sci-fi author H.G. Wells’ 1897 sci-fi novel, “The Invisible Man” and was adapted for the 1944 Universal feature installment by screenwriter Jane MacDonald.  The screenplay for Beebe’s classic mammoth Universal sci-fi/monster feature film masterpiece production installment of “The Invisible Man’s Revenge” (1944) was written by veteran screenwriter Bertram Millhauser.  Millhauser previously wrote the screenplay treatment for two classic mammoth Universal “Sherlock Holmes” wartime feature film mystery masterpiece adaptations inspired by Arthur Conan Doyle‘s mystery characters featuring Basil Rathbone and Nigel Bruce, Roy William Neill‘s “Sherlock Holmes in Washington” (1943, with a pre-“Danny Thomas Show” Marjorie Lord and George Zucco; Milhauser also wrote the original story treatment for the aforementioned Universal “Sherlock Holmes” production) and Neill’s “Sherlock Holmes Faces Death” (1943, with Hillary Brooke and a pre-“Gunsmoke” Milburn Stone).

Beebe’s production of “The Invisible Man’s Revenge” (1944) marked the fifth installment in Universal’s classic mammoth “Invisible” sci-fi/monster feature film masterpiece series.

The earlier features in the studio’s classic mammoth “Invisible” sci-fi/monster feature film masterpiece series were James Whale’s classic mammoth Universal sci-fi/onster masterpiece adaptation of “The Invisible Man” (1933) with Claude Rains, Gloria Stuart, Henry Travers, Una O’Connor, Forrester Harvey, William Harrigan, Holmes Herbert, Dudley Digges; Joe May‘s classic mammoth Universal “Invisible” sci-fi/monster masterpiece installment of “The Invisible Man Returns” (1940) with young Vincent Price, Nan Grey, Cedric Hardwicke, Alan Napier (later of TV’s “Batman” fame), Cecil Kellaway, John Sutton and Forrester Harvey;  A. Edward Sutherland’s classic mammoth Universal sci-fi/monster/comedy masterpiece installment of “The Invisible Woman” (1940) with Virginia Bruce, John Barrymore, Margaret Hamilton (of 1939’s “The Wizard of Oz” fame), Shemp Howard (of “The Three Stooges” fame), Charlie Ruggles, Maria Montez, Anne Nagel, Oscar Homolka, John Howard, Edward Brophy, Mary Gordon, Kathryn Adams, Donald MacBrideThurston Hall and  Charles Lane and  Edwin L. Marin‘s classic mammoth Universal wartime sci-fi masterpiece production of “Invisible Agent” (1942) with Jon Hall, Ilona Massey, Peter Lorre, Sir Cedric Hardwicke , Keye Luke, Holmes Herbert, J. Edward Bromberg, Albert Bassermann, John Litel, Bobbie Hale, Wallace Scott, John Burton, James Craven, Leslie Denison, Alberto Morin, Walter Tetley, John Holland, Milburn Stone, Sven Hugo Borg and Mabel Colcord.

This will mark Sven’s fifth big coast-to-coast broadcast of “The Invisible Man’s Revenge” (1944) on the airlanes of Me-TV.  He previously showcased Beebe’s classic mammoth 1944 Universal “Invisible” monster/sci-fi masterpiece installment as a Me-TV big broadcast premiere back in May 2011 and as regular Me-TV big broadcasts back in Sept. 2011, June 2013 and Aug. 2015.

In Son of Sven/Sven/Rich Koz’s home area of Berwyn/Chicago, Illinois; he previously showcased the classic mammoth Universal “Invisible” monster/sci-fi masterpiece production of Ford Beebe’s “The Invisible Man’s Revenge” (1944) as a Berwyn/Chicago big broadcast premiere during Sven/Rich’s days as the Son of Svengoolie on WFLD in the Berwyn/Chicago area in July 1980; according to IMDB.

Who was in “The Invisible Man’s Revenge” (1944)?

The players who appeared in Ford Beebe’s classic mammoth Universal “Invisible” sci-fi/monster masterpiece installment of “The Invisible Man’s Revenge” (1944) were Jon Hall (as Robert Griffin/the “Invisible Man”), Evelyn Ankers (as Julie Herrick), John Carradine (as Dr. Peter Drury), Gale Sondergaard (as Irene, Lady Herrick), Leon Errol (as Herbert Higgins), Alan Curtis (as Mark Foster), Lester Matthews (as Sir Jasper Herrick), Halliwell Hobbes (as Cleghorn), Leyland Hodgson (as Sir Frederick Travers, Hodgson received screen credit as “Leland Hodgson” in the 1944 production), Cyril Delevanti (as shopkeeper Malty Bill), Billy Bevan (in an uncredited role as a police sergeant), Doris Lloyd (in an uncredited role as Maud) and William J. O’Brien (in an uncredited role as a pub patron).

Safe/Healthy and Happy New Year’s/2024 from the writer/author of “Silver Screen Reflections!”

Safe, Peaceful, Healthy & Happy New Year’s/Happy 2024 to all my fellow wonderful Super Svengoolie & Sventoonie SvenPals/Super “Toon In With Me” Tooners/Super “Mystery Science Theater 3000” MSTies/Super classic film & TV masterpiece aficionados/Super readers of “Silver Screen Reflections” from the writer/author of “Silver Screen Reflections!“

I am thankful for my parents, my relatives/ all my fellow wonderful friends/Super SvenPals/Super Tooners/Super MSTies/Super classic film & TV masterpiece aficionados/Super “Silver Screen Reflections” readers across the universe!  Again, I’m very glad you all enjoy my weekly classic Sven feature film masterpiece blog/”Silver Screen Reflections” blog posts, along with my weekly “#ChrisHambyPhotoGallery” masterpiece series!

I’m looking forward to many more Sven, “Toon In” & classic mammoth film masterpiece adventures throughout the New Year of 2024 and beyond with all my fellow wonderful Super SvenPals/Super Tooners from coast-to-coast, along with my weekly “Chris Hamby Photo Gallery” series of uplifting nature photos from around home! 

There’s some aspects of 2024 that I’m deeply concerned about.  But I’m hoping that the New Year of 2024 will be peaceful healthy and safe for all of us.

I’ve had some obligations and setbacks recently- not too serious, but I’m being very cautious/careful.  I mentioned earlier that I would create a secondary blog site in connection to my weekly Photo Gallery series- which will actually begin later in 2024.   And there’s a lot I would like to accomplish/achieve in the New Year as well.   

And again- as I’ve mentioned before- and forgive me for sounding like a “broken record” and/or “audiotape loop,” I’m hoping one of these days in the future to see all of my fellow wonderful friends/Super SvenPals/Super Tooners for a future Sven event and/or Berwyn/Chicago visit in the future.  

And we all know that that corrupt/controversial wackadoodle billionaire schnook known as “Baron Von Muskrat” and his minions have wrecked the Twitter airlanes. 

As I’ve mentioned before, I’m hoping that we can all continue to Live-Tweet Svengoolie, “Toon In With Me” big broadcasts, classic film, music, broadcasting, animation, etc.- along with sharing fun facts about classic film, TV, cartoons, etc. and/or anything unique in connection to Sven/”Toon In.”

And again- as I’ve stated before, I’m NOT paying for a social media site/social media platform. 

For those who do not know- though I haven’t used the “Threads” platform frequently, I have a backup account on the “Threads” social media platform.  

To all my fellow wonderful Super Svengoolie SvenPals/Super “Toon In With Me” Tooners/Super readers/subscribers of “Silver Screen Reflections” everywhere:  Seriously, Please, please be good, kind, courteous, safe and respectful to each other.   Let’s all look to uplifting/positive enlightenment, encouragement and wisdom from Svengoolie, all fellow wonderful Super Svengoolie SvenPals/Super “Toon In With Me”/”Saturday Morning Cartoons” Tooners/Super Mystery Science Theater 3000/MST3K MSTies/Super classic film/television aficionados/Super readers of “Silver Screen Reflections” everywhere.  Again, to all fellow wonderful Super Svengoolie SvenPals/Super “Toon In With Me”/”Saturday Morning Cartoons” Tooners/Super MST3K MSTies/Super classic film & TV aficionados/Super “Silver ScreenReflections” readers everywhere- To those who have not made a plan to get their vaccines yet, be sure to schedule your vaccines, booster vaccines against the newest COVID-19 variant & your flu shot by contacting your doctor/physician/healthcare professional soon, follow all precautions safely and seriously, wear a protective face mask/appropriate protective face covering, wash your hands for approximately 20 sec., avoid touching your face, practice proper social distancing/physical distancing protocols, use a tissue/sleeve when coughing/sneezing, stay home, keep healthy and stay well.   Again, let’s all take preventative measures/steps by being safe, keeping healthy and staying well- and again, we fellow Super SvenPals everywhere highly recommend watching Kerwyn’s informative coronavirus/COVID-19 prevention safety public service announcement!   Escape from anxiety, chaos and stress by relaxing and having fun with Sven and his Sat. evening big broadcasts of classic mammoth creature/sci-fi/monster/horror/fantasy feature film masterpieces on Me-TV’s big broadcast airlanes! Be sure to join in on the fun with all fellow wonderful Super SvenPals/Super Tooners everywhere by live-tweeting on the airlanes during Sven’s Sat. evening big broadcasts and/or Toony & Bill’s “Toon In With Me!”  Again, be good, safety first, keep healthy and stay well; Three Cheers & Two Thumbs Up to Sven/Rich Koz, the entire Sven/Sventoonie/”Toon In”/Me-TV production team & the entire crowd of fellow wonderful Super SvenPals/Super Tooners/Super MSTies/Super classic film/TV masterpiece aficionados/Super “Silver Screen Reflections” readers everywhere!   To quote Svengoolie’s executive producer, Jim Roche: “#KeepCalmAndWatchSven!”  –C.H.

“Svengoolie” presents his big broadcast of “The Black Cat” (1941), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth Universal Studios mystery-comedy masterpiece adaptation for the holidays.

“Svengoolie” presents his big broadcast of “The Black Cat” (1941)

Latter Realart theatrical re-issue trailer for Albert S. Rogell’s classic mammoth Universal mystery-comedy masterpiece adaptation of “The Black Cat” (1941) with Basil Rathbone & Bela Lugosi.

Original 1941 Universal Studios theatrical release poster art for “The Black Cat.”

The legendary and iconic Berwyn/Chicago-based classic mammoth mystery-comedy feature film masterpiece host will present his big expanded holiday broadcast of “The Black Cat” (1941), this Sat., Dec. 23 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth Universal mystery-comedy adaptation masterpiece production of “The Black Cat” (1941) was directed by veteran feature film & TV director Albert S. Rogell.  Throughout his directorial career, Rogell directed numerous productions- including his classic mammoth RKO Radio Pictures drama masterpiece production of “Suicide Fleet” (1931, produced under the RKO-Pathe moniker) with William Boyd (later of “Hopalong Cassidy” fame), Ginger Rogers (before going onto greater fame for her numerous RKO feature dancing musical appearances with Fred Astaire), Robert Armstrong (later of 1933’s “King Kong,” 1933’s “Son of Kong” and 1948’s “Mighty Joe Young” fame), James Gleason, Harry Bannister and Frank Reicher and young Ben Alexander (of 1930’s “All Quiet on the Western Front” and later of the 1952-59 TV rendition of Jack Webb’s “Dragnet” fame); his classic mammoth Columbia Pictures drama masterpiece production of “Air Hostess” (1933) with Evelyn Knapp, Thelma Todd (who was known for her numerous appearances in Hal Roach’s comedic short subjects), James Murray, Arthur Pierson, Jane Darwell and archival footage of then-Columbia contract player Jack Holt; his classic mammoth Columbia mystery masterpiece adaptation in the studio’s “Lone Wolf” series, “The Lone Wolf in Paris” (1938) with Francis Lederer in the title role; along with Frances Drake, Bess Flowers, Albert Dekker (of 1940’s “Dr. Cyclops” fame), Olaf Hytten, Walter Kingsford and Vernon Dent (who appeared in numerous supporting roles in Columbia’s numerous “Three Stooges” classic mammoth comedic short subjects); the classic mammoth Universal comedy masterpiece production of “Butch Minds the Baby” (1942) with Virginia Bruce, Dick Foran, Shemp Howard (of “The Three Stooges” fame), Grant Withers and Tom Kennedy (of Warners’ “Torchy Blane” fame) and six episodes of the classic mammoth Twentieth Century Fox (Twentieth Century Studios) TV western adaptation of “Broken Arrow” (Rogell directed from 1957 until the conclusion of the series in 1958) with John Lupton and Michael Ansara (the real-life husband of Barbara Eden).

Rogell’s classic mammoth 1941 Universal mystery-comedy masterpiece adaptation of “The Black Cat” was produced by veteran Hollywood associate producer Burt Kelly.  Kelly also produced A. Edward Sutherland’s  classic mammoth Universal “Invisible” fantasy-comedy masterpiece, “The Invisible Woman” (1940) with Virginia Bruce, John Barrymore, Margaret Hamilton of the classic 1939 mammoth MGM masterpiece adaptation of “The Wizard of Oz,” Oscar Homolka, Shemp Howard of “The Three Stooges” fame from 1946-55 and produced Arthur Lubin’s classic mammoth Universal Studios thriller masterpiece production of “Black Friday” (1940), He also produced the latter classic Columbia Pictures live-action comedy masterpiece adaptations of Chic Young’s King Features Syndicate/Hearst “Blondie” newspaper comic strip series with Penny Singleton and Arthur Lake  from 1945–48. with Boris Karloff, Bela Lugosi, Anne Nagel, Stanley Ridges, Anne Gwynne, Virginia Brissac, Edmund MacDonald, Paul Fix and Raymond Bailey (later of TV’s “The Beverly Hillbillies” fame).

Inspired by Edgar Allan Poe‘s 1843 short story of the same name, the screenplay adaptation was written by veteran screenwriter Robert Lees, Robert Neville, Frederic I. Rinaldo and Eric Taylor.  The same year that they co-wrote the 1941 screenplay adaptation of “The Black Cat,” both Lees and Rinaldo wrote the screenplay for Arthur Lubin’s classic mammoth Universal spook comedy masterpiece production with Bud Abbott, Lou Costello, Joan Davis, Richard Carlson, Evelyn Ankers and Shemp Howard; “Hold that Ghost” (1941).  Lees and Rinaldo also co-wrote with veteran Universal screenwriter John Grant the screenplay for Charles T. Barton’s classic mammoth Universal monster-comedy masterpiece, “Abbott and Costello Meet Frankenstein” (1948) with Abbott, Costello, Glenn Strange, Bela Lugosi, Lon Chaney Jr., Lenore Aubert, Jane Randolph,  Vincent Price and Charles Bradstreet.

This will mark Sven’s fourth big coast-to-coast broadcast of Rogell’s classic mammoth Universal mystery-comedy masterpiece adaptation of “The Black Cat” (1941) on the airlanes of Me-TV.  He previously showcased Rogell’s classic mammoth 1941 Universal mystery-comedy masterpiece adaptation as a coast-to-coast big broadcast premiere back in Sept. 2014 and as regular Me-TV big broadcasts back in Nov. 2016 and Feb. 2019.

During Sven/Rich Koz’s WFLD Berwyn/Chicago days as the “Son of Svengoolie,” he previously showcased “The Black Cat” (1941) as a Berwyn/Chicago big broadcast premiere back in March 1982, according to IMDB.

Who was in Albert S. Rogell’s Universal adaptation of “The Black Cat” (1941)?

The players who appeared in Albert S. Rogell’s classic mammoth Universal mystery-comedy masterpeiec adaptation of Edgar Allan Poe’s “The Black Cat” (1941) were Basil Rathbone (as Montague Hartley), Bela Lugosi (as Eduardo Vigos), Gale Sondergaard (as Abigail Doone), Alan Ladd (as Richard Hartley), Anne Gwynne (as Elaine Winslow), Hugh Herbert (as Mr. Penny), Broderick Crawford (as Hubert Smith), Gladys Cooper (as Myrna Hartley), Cecilia Loftus (as Henrietta Winslow), Claire Dodd (as Margaret Gordon), John Eldredge (as Stanley Borden), Erville Alderson (in an uncredited role as Dr. Williams), Harry C. Bradley (in an uncredited role as a coroner), Edgar Sherrod (in an uncredited role as a minister) and Jack Cheatham (in an uncredited role as a moving man).

“Svengoolie” to present his big broadcast of Vincent Price in “House on Haunted Hill” (1959), this Sat. On Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his big broadcast of a classic mammoth macabre/thriller feature masterpiece.

“Svengoolie” to present his big broadcast of Vincent Price in William Castle’s “House on Haunted Hill” (1959)

A snippet from  William Castle’s classic mammoth Allied Artists macabre thriller masterpiece production of “House on Haunted Hill” (1959) with Vincent Price. Sidebar: This is from the now-out-of-print Shout! Factory (Shout! Studios)/Scream Factory Vincent Price multi-film anthology Blu-Ray compilation set, “The Vincent Price Collection: Vol. II;” which featured Warner Bros.‘ official/authorized High-Definition restoration of Castle’s classic mammoth 1959 Allied Artists macabre thriller masterpiece production**. -C.H.

“The ’13’ greatest shocks of all time!” “First film with the amazing new wonder ‘Emergo!'” “The thrills fly right into the audience!” Original 1959 Allied Artists newspaper advertising proof for William Castle’s “House on Haunted Hill” with Vincent Price.

The legendary and iconic Berwyn/Chicago-based classic mammoth thriller feature film masterpiece host will present his big broadcast of “House on Haunted Hill” (1959) this Sat., Nov. 25 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

“House on Haunted Hill” (1959) was directed by legendary veteran macabre-thriller feature film masterpiece director William Castle. Alongside his classic mammoth 1959 macabre/thriller masterpiece production of “House on Haunted Hill” for Allied Artists Productions, he also directed his classic mammoth Allied Artists macabre/thriller masterpiece production of “Macabre” (1958) with William Prince, Christine White, Jim Backus (of “Mr. Magoo” and TV’s “Gilligan’s Island” fame) and Jacqueline Scott.

For the majority of his feature film directorial career, Castle directed numerous productions for Columbia Pictures, notably for his classic mammoth macabre/gimmick screen thriller masterpieces and various genres of feature film productions, including numerous classic mammoth film noir, mysteries and western masterpieces for Columbia.   Some of Castle’s best-known classic mammoth Columbia macabre/gimmick-thriller masterpiece productions include “The Tingler” (1959), “13 Ghosts” (1960, with Charles Herbert, Jo Morrow, Martin Milner of TV’s “Route 66” and “Adam-12” fame, Margaret Hamilton of MGM’s “The Wizard of Oz” fame and John Van Dreelen), “Homicidal” (1961, with Glenn Corbett), “Zotz!” (1962, with Tom Poston of TV’s “Newhart” fame, Julia Meade, Jim Backus, Margaret Dumont; who previously appeared in seven of The Marx Brothers’ classic mammoth feature film comedy masterpieces from 1929–41 and  Fred Clark), “The Old, Dark House” (1963, with Poston and Janette Scott) and “Strait-Jacket” (1964, with Joan Crawford, Diane Baker and young George Kennedy).

Later in his career, Castle’s directed his classic Universal Studios mammoth thriller masterpiece productions of “The Night Walker” (1964) with Barbara Stanwyck and Robert Taylor and “I Saw What You Did” (1965) with Joan Crawford,  John Ireland, Leif Erickson, Sara Lane, Andi Garrett, Sharyl Locke, Patricia Breslin. William Castle also directed his classic mammoth Paramount Pictures sci-fi/mystery masterpiece production of “Project X” (1968) with Christopher George and Greta Baldwin.

Castle’s “House on Haunted Hill” (1959) was released theatrically through Allied Artists, according to IMDB.  The classic 1959 mammoth Allied Artists macabre thriller masterpiece production was co-produced by Castle and veteran associate producer Robb White, who also wrote the screenplay for the Allied Artists production of “House on Haunted Hill” with Castle.

40 years after the original theatrical release of William Castle’s classic mammoth Allied Artists macabre thriller masterpiece, director William Malone re-made “House on Haunted Hill” (1999) for Warner Bros.** with Geoffrey Rush, Famke Janssen, Taye Diggs, Peter Gallagher, Ali Larter and Chris Kattan (of “Saturday Night Live” fame).  Warner Bros. owns the rights to the majority of the Monogram/Allied Artists/Lorimar Productions library, including the original “House on Haunted Hill” (1959) as part of Warners’ 1989 acquisition of Lorimar Productions/Lorimar-Telepictures, Lorimar Productions acquired Allied Artists after Allied Artists went bankrupt in 1979.  Warner Bros. also produced and released a follow-up direct-to-video sequel to the 1999 re-make version of “House on Haunted Hill” in conjunction with director Víctor García, titled “Return to House on Haunted Hill” (2007)  with Amanda Righetti, Cerina Vincent, Erik Palladino and Tom Riley.

This will mark Sven’s third big coast-to-coast broadcast of William Castle’s production of “House on Haunted Hill” (1959) on the airlanes of Me-TV.  He previously showcased Castle’s classic mammoth  1959 macabre-thriller masterpiece production as a coast-to-coast big broadcast premiere back in Aug. 2021.  He showcased “House on Haunted Hill” (1959) as a regular coast-to-coast big broadcast on the airlanes of Me-TV back in May 2022.

In Sven’s home area of Berwyn/Chicago, Illinois; he previously showcased William Castle’s mammoth classic Allied Artists macabre thriller masterpiece production of “House on Haunted Hill” as a Berwyn/Chicago big broadcast premiere back in Oct. 1998 on WCIU-TV, according to IMDB.

Who was in William Castle’s Allied Artists classic mammoth macabre thriller masterpiece production of “House on Haunted Hill” (1959)?

The players who appeared in William Castle’s classic mammoth Allied Artists macabre-thriller masterpiece production of “House on Haunted Hill” (1959) were Vincent Price (as Frederick Loren), Carol Ohmart (as Annabelle Loren), Richard Long (as Lance Schroder), Julie Mitchum (as Ruth Bridgers), Elisha Cook Jr. (as Watson Pritchard),  Carolyn Craig (as Nora Manning),  Alan Marshal (as Dr. David Trent), Leona Anderson (as Mrs. Slydes), Howard Hoffman (as Jonas) and the Skeleton (as himself).

“Svengoolie” presents his big Me-TV premiere of “Empire of the Ants” (1977) w/Joan Collins, this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing & jumping for joy for his upcoming big coast-to-coast premiere of a cult classic mammoth American-International sci-fi thriller masterpiece.

“Svengoolie” presents his big coast-to-coast premiere of “Empire of the Ants” (1977) with Joan Collins

Original 1977 American-International Pictures theatrical release trailer for Bert I. Gordon‘s classic mammoth sci-fi thriller masterpiece production of “Empire of the Ants” with Joan Collins.

“For they shall inherit the earth.. sooner than you think!” Original 1977 American-International Pictures theatrical poster art for Bert I. Gordon’s “Empire of the Ants” featuring Joan Collins.

The legendary and iconic Berwyn/Chicago-based classic mammoth sci-fi thriller masterpiece host will present his big coast-to-coast broadcast premiere of “Empire of the Ants” (1977), this Sat.; Nov. 18 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1977 American-International sci-fi thriller masterpiece production of “Empire of the Ants” was directed by veteran feature film director  Bert I. Gordon.  Some of Gordon’s best-known cult classic sci-fi/visual effects feature film masterpiece productions include  “The Cyclops” (1957) for Allied Artists with Lon Chaney Jr., “Beginning of the End” (1957)* with Peter Graves, Peggie Castle and Morris Ankrum; “Earth vs. the Spider” (1958, a.k.a. “The Spider”)* with Ed Kemmer, June Kenney and Hank Patterson; “Tormented” (1960) for Allied Artists with Richard Carlson, Susan Gordon, Lugene Sanders and the vocal stylings of Paul Frees; “Village of the Giants” (1965) for Joseph E. Levine’s Embassy Pictures with Ron “Ronny” Howard, legendary singer Freddy “Boom Boom” Cannon (who wrote/performed the mammoth 2016 Sven song masterpiece with Sven, “the Svengoolie Stomp”), Joy Harmon, Beau Bridges, Tisha Sterling, Johnny Crawford, The Beau Brummels, Tommy Kirk, Toni Basil, Rance Howard, Tim Rooney  and Orangey the Cat.

The 1977 Bert I. Gordon/American-International feature production of “Empire of the Ants” was loosely inspired by a short story written by veteran science fiction author and novelist H.G. Wells.  The screenplay adaptation of Wells’ short story that inspired the production of “Empire of the Ants” was co-written by Gordon and veteran TV/feature film screenwriter Jack Turley.   Alongside his numerous TV and feature film screenwriting credits, Turley previously wrote the teleplay for two episodes of the brief classic mammoth Leslie Stevens–Warner Bros./NBC masterpiece adventure series “Search” (inspired by Stevens and Russ Mayberry‘s earlier classic mammoth 1972 Warner Bros./NBC made-for-TV movie masterpiece, “Probe“) that had an alternating lead for each episode of the week (Hugh O’Brian, Anthony Franciosa and Doug McClure) along with Burgess Meredith (Turley wrote the teleplay for 1972’s “The Andonis File” with O’Brian in the lead and 1973’s “The 24 Carat Hit” with Franciosa in the lead).

*For the majority of his motion picture directorial career, Gordon released his classic mammoth “giant” sci-fi/creature masterpiece productions, including “Empire of the Ants” (1977) through Samuel Z. Arkoff‘s American-International Pictures . Arkoff and James H. Nicholson established American-International Pictures in 1954, according to the Samuel Z. Arkoff papers collection housed at Loyola Marymount University in Los Angeles, California. During Nicholson’s final years at AIP, he often had personal and professional disagreements with co-founder Samuel Z. Arkoff, according to Eamon Harrington and John Watkin’s retrospective documentary on American-International Pictures titled;  “It Conquered Hollywood! The Story of American International Pictures” (2001).  Nicholson then worked for a brief while for rival studio Twentieth Century Fox (Twentieth Century Studios), but was short-lived, as Nicholson’s health declined due to a brain tumor.  Arkoff mentioned that in Nicholson’s last days that he was the only person outside of Nicholson’s family that kept in touch with him.  Nicholson died on Dec. 10, 1972; according to IMDB.

After Arkoff managed the company by himself, he sold American-International to Filmways in 1979, which was later acquired by Orion Pictures in 1982.  Orion (along with the majority of the American-International/Filmways holdings)** was then sold to the present incarnation of Metro-Goldwyn-Mayer (MGM) in 1997.  Following MGM’s recent revival of the “Orion Pictures” moniker, the studio recently revived the “American-International Pictures” moniker. The classic mammoth 1977 sci-fi thriller masterpiece production of “Empire of the Ants” was co-produced between Arkoff’s American-International Pictures and Gordon’s “Cinema 77 Productions” moniker.

Who was in Bert I. Gordon’s American-International production of “Empire of the Ants” (1977)?

The players who appeared in Gordon’s classic mammoth American-International sci-fi/insect thriller masterpiece production of “Empire of the Ants” (1977) were Joan Collins (as Marilyn Fryser), Robert Lansing (as Dan Stokely), Robert Pine (as Larry Graham), John David Carson (as Joe Morrison), Albert Salmi (as Sheriff Art Kincade), Jacqueline Scott (as Margaret Ellis), Pamela Susan Shoop (as Coreen Bradford), Edward Power (as Charlie Pearson), Brooke Palance (as Christine Graham), Tom Fadden (as Sam Russell), Irene Tedrow (as Velma Thompson), Harry Holcombe (as Harry Thompson), Jack Kosslyn (as Thomas Lawson), Ilse Earl (as Mary Lawson), Janie Gavin (as Ginny), Norman Franklin (as Anson Parker), Florance McGee (as Phoebe Russell), Jim Wheelus (as a crewman), Mike Armstrong (as Jim), Tom Ford (as Pete), Charles Redd (as a taxi driver) and the vocal stylings of Marvin Miller (as the opening narrator).

Svengoolie’s twinset of “Killer Klowns from Outer Space” & “The Crawling Eye,” plus Sventoonie; this Sat. on Me-TV

Fellow Super Svengoolie SvenPals everywhere will be dancing and jumping for joy for his first coast-to-coast classic mammoth double-feature sci-fi masterpiece showcase for “Halloween Boo-nanza 2023!”

“Svengoolie” presents his big broadcast twinset of “Killer Klowns from Outer Space” (1988) and “The Crawling Eye” (1958) 

A snippet from the Chiodo Bros.’ classic mammoth 1988 Trans World Entertainment* sci-fi farce masterpiece production of  “Killer Klowns from Outer Space.”

Truncated version of the original theatrical release trailer for Quentin Lawrence’s “The Crawling Eye” (1958) featuring Forrest Tucker, Jennifer Jayne and Laurence Payne.

The legendary and iconic  Berywn/Chicago-based classic mammoth sci-fi feature film masterpiece host will present his first coast-to-coast double-feature twinset sci-fi feature film masterpiece showcase of “Killer Klowns from Outer Space” (1988) and “The Crawling Eye” (1958).  The aforementioned Sven double-feature twinset will begin this Sat., Oct. 7 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

Sven’s upcoming Me-TV big broadcast double-feature twinset of “Killer Klowns from Outer Space” (1988) and “The Crawling Eye” (1958) will be the first Sven double-feature big broadcast twinset installment for the 2023 “Svengoolie’s Halloween Boo-nanza” festival throughout the month of October on the airlanes of Me-TV!

Alongside Sven’s upcoming “Halloween Boo-nanza” twinset of “Killer Klowns from Outer Space” and “The Crawling Eye,” other Sven features and specials that will be showcased throughout the Oct. 2023 “Sven Halloween Boo-nanza” festival on Me-TV will include:

Oct. 14, 2023: Svengoolie’s big double-feature twinset broadcast of the classic mammoth Universal Studios/Abbott and Costello comedy-monster feature film masterpiece featuring Bud Abbott, Lou Costello, Glenn Strange, Bela Lugosi and Lon Chaney Jr., “Abbott and Costello Meet Frankenstein” (1948, one of Sven’s most-requested classic mammoth Universal comedy-monster masterpieces at 8 p.m. Eastern/7 p.m. Central) and the cult classic mammoth Cannon sci-fi masterpiece re-make of “Invaders From Mars” (1986, at 10:30 p.m. Eastern/9:30 p.m. Central), followed by the big broadcast return of the classic mammoth Me-TV original documentary masterpiece on the life and career of Sven/Rich Koz featuring cameo guest appearances by fellow Super SvenPals/Super Tooners Sarah Rhodes/Sarahgoolie, Nanette Keir and Brian Bernardoni in “Svengoolie: Uncrypted” (2022, at 12:30 a.m. Eastern/11:30 p.m. Central)!  And wait- there’s more! An all-night marathon of Rod Serling‘s classic mammoth CBS supernatural masterpiece series, “The Twilight Zone” (1:30 a.m. Eastern/12:30 a.m. Central)!

Oct. 21, 2023: Svengoolie’s big double-feature twinset broadcast featuring his big broadcast premiere of Dan Curtis‘ classic mammoth ABC “Kolchak” supernatural made-for-TV movie masterpiece with Darren McGavin, Simon Oakland and Larry Linville (of TV’s “M*A*S*H” fame), “The Night Stalker” (1972, at 8 p.m. Eastern/7 p.m. Central), followed by Sven’s big broadcast of the U.S. dubbing of Ishiro Honda‘s classic mammoth Toho Studios pioneering kaiju creature masterpiece production of “Gojira” featuring Raymond Burr of TV’s “Perry Mason” fame, “Godzilla: King of the Monsters!” (1954/56, at 10:30 p.m. Eastern/9:30 p.m. Central)!  And wait- there’s more! Me-TV will also have an all-night festival of classic episodes of the classic mammoth 1974-75 Universal Studios/ABC supernatural masterpiece series adaptation that was inspired by the two earlier classic mammoth Dan Curtis/ABC “Kolchak” made-for-TV movie masterpieces, “Kolchak: The Night Stalker” with McGavin and Oakland (at 1:30 a.m. Eastern/12:30 a.m. Central)!

Oct. 22, 2023: Svengoolie’s big double-feature finale twinset broadcast featuring his big broadcast premiere of Dan Curtis’ classic mammoth ABC “Kolchak” supernatural made-for-TV movie sequel masterpiece with Darren McGavin and Simon Oakland, “The Night Strangler” (1973, at 8 p.m. Eastern/7 p.m. Central) and Sven’s big broadcast of Curtis’ classic mammoth ABC made-for-TV horror anthology movie masterpiece with Karen Black, “Trilogy of Terror“* (1975, at 10: 30 p.m. Eastern/9:30 p.m. Central)! And wait- there’s more! An all-night festival of additional classic episodes of the classic mammoth Universal Studios/ABC supernatural masterpiece series with McGavin and Oakland, “Kolchak: The Night Stalker” (at 1:30 a.m. Eastern/12:30 a.m. Central)!

Alongside Sven’s upcoming big broadcast twinset of “Killer Klowns from Outer Space” (1988) and “The Crawling Eye” (1958), Me-TV will also be showcasing the return of classic episodes of a classic mammoth spin-off cross-over masterpiece series featuring a recognizable personality from the network’s classic mammoth weekday morning cartoon masterpiece showcase series!

Here are some moments that didn't make the cut from our chat with Sven.

We tried getting him to take Gary off our hands but no dice! #sventoonie #metv pic.twitter.com/Mn0D55CR0B

— Sventoonie (@sventoonie) February 23, 2023

Watch special episodes of Sventoonie as part of the late-night BOOnanza Binge starting at 12:30AM | 11:30C. 🎩💀

Find the full schedule here: https://t.co/hseTLTeKGU pic.twitter.com/XIVsVg9e0r

— MeTV (@MeTV) October 4, 2023

A message from our leader 🫡👽

Catch the encore episodes of @sventoonie this Saturday, October 7th as part of the late-night BOOnanza Binge starting at 12:30AM | 11:30C!

Find the full schedule here: https://t.co/JYNfjfTVSr#sventoonie #metv pic.twitter.com/o34zaCsSBO

— Toon In With Me (@tooninwithmetv) October 4, 2023

That same evening (Oct. 7), “Sventoonie” returns to the Me-TV airlanes with classic episodes of the “Svengoolie”/”Toon In With Me” cross-over spin-off series in a “Sventoonie” all-night festival (starting at 12:30 a.m. Eastern/11:30 p.m. Central)! 

“It’s ‘Craazzy’!” Original 1988 Trans World Entertainment* theatrical poster art for the Chiodo Bros.’ “Killer Klowns from Outer Space.”

“Killer Klowns from Outer Space” (1988) was directed, co-written and co-produced by veteran puppet/animatronic designer/puppeteer and stop-motion animator Stephen Chiodo.  Chiodo began his career as a graphic designer for the newscasts for ABC‘s network-owned TV station in New York City WABC-TV (sister station to ABC’s network-owned Berwyn/Chicago TV station, WLS-TV).  He later moved to the Washington, D.C. area to work with veteran animator/cartoonist Walt Kelly and director Marc Paul Chinoy as a production designer for the classic stop-motion animation adaptation of Kelly’s possum comic strip, “Pogo;” titled “I Go Pogo” (1980) with the vocal stylings of legends Vincent Price, Jonathan Winters, Ruth Buzzi (of Rowan & Martin’s “Laugh-In” fame), Stan Freberg and Arnold Stang (of the “Chunky” chocolate bar TV commercials fame). He later moved to Hollywood, California and joined his brothers Charles Chiodo and Edward Chiodo to form Chiodo Bros. Productions.

The Chiodo Bros. are best-known for their numerous custom props, puppets, animatronic, stop-motion animation creations and special effects for the motion picture and television industry over the years; including the design of the Critters for the New Line Cinema “Critters” series of films from 1986–92, animated effects consultants for Tim Burton‘s classic mammoth Warner Bros. feature comedy masterpiece featuring Paul “Pee-Wee Herman” Reubens, “Pee-Wee’s Big Adventure” (1985), the motion control robot puppet “Catfish”** for Sony Imagesoft (today’s Sony Interactive Entertainment) & Digital Pictures’ full-motion video interactive video game for the Sega CD (attachment for the Sega Genesis) & 3DO game console formats, “Sewer Shark” (1992), the “Rankin/Bass“-style holiday stop-motion figurines for Jon Favreau‘s modern classic mammoth New Line Cinema holiday comedy masterpiece featuring Will Ferrell, “Elf” (2003); including the “Leon the Snowman” stop-motion character featuring the vocal stylings of the legendary Leon Redbone; the “supermarionation”-style figurines for Trey Parker & Matt Stone (of “South Park” fame)’s modern classic mammoth Paramount Pictures comedy-farce masterpiece, “Team America: World Police” (2004) and a stop-motion animated sequence for legendary Los Angeles-based horror/sci-fi film host Elvira (portrayed by Cassandra Petersen)’s brief classic mammoth syndicated masterpiece revival of “Elvira’s Movie Macabre” for her 2010 showcase of the cult classic mammoth Nicholas Webster-Embassy Pictures holiday-fantasy masterpiece production of “Santa Claus Conquers the Martians” (1964).

Watch out! “Dean Wormer’s” long-lost “mascot” for “Faber College!” Oopsa Doopsa! Wrong John Vernon film! A moment from “Killer Klowns in Outer Space” (1988), featuring John Vernon.

The cult classic mammoth 1988 horror/sci-fi/comedy masterpiece production was co-produced by veteran executive producers/production officials Moshe Diamant and Paul Mason, along with veteran associate producers/production officials J.J. Lichauco Pelman, Christopher Roth, Eduard Sarlui and Helen Szabo; the real-life sister of Sarlui (she received screen credit under the name of Helen Sarlui-Tucker).  The Chiodo Bros.’ “Killer Klowns from Outer Space” (1988) was released through Moshe Diamant and Eduard Sarlui’s independent releasing firm Trans World Entertainment*; according to IMDB.  Trans World Entertainment* would be later folded into another production/releasing/distribution firm that was headed by Diamant, Epic Productions; according to Variety.  After a series of complicated ownership deals and due in part from Trans World’s reliance on financing for productions from France’s banking firm Crédit Lyonnais (the aforementioned banking firm would later have many financial problems of their own); the Chiodo Bros.’ production of “Killer Klowns from Outer Space” (1988) and the majority of the TWE/Epic Productions library* later wound up in the hands of the current incarnation of Metro-Goldwyn-Mayer (MGM), according to the Los Angeles Times.  Sidebar: Diamant and Saruli’s Trans World Entertainment* was not connected to a similar named company that specialized in mall-based and shopping center-based record and video stores. The other “Trans World Entertainment” now operates under the name of “Kaspien Holdings” for e-commerce sales; the company’s retail-based stores under the “FYE/For Your Entertainment” name throughout North America were later sold off to Canada’s Sunrise Records retail group. Though the two companies shared the “Trans World Entertainment” name, the two companies were never related in any form. -C.H.

“Waiting! Watching! Wanton!” “Maybe Yours!” The company that brought you “Rodan!” Original Distributors Corporation of America (DCA) theatrical poster artwork for “The Crawling Eye” (1958).

“The Crawling Eye” was directed by veteran British television and feature film director Quentin Lawrence.  Several of Lawrence’s best-known productions throughout his directorial career alongside “The Crawling Eye” (1958) include numerous British television series, including directing six episodes of the made-for-TV classic mammoth sci-fi masterpiece television adaptation of H.G. Wells’ “The Invisible Man” in 1959, one episode of the classic mammoth spy/secret agent masterpiece adventure series with Diana Rigg and Patrick Macnee; “The Avengers” (Lawrence directed the 1965 episode of “The Avengers,” “The Gravediggers”). Lawrence also worked on several episodes of Britain’s long-running Granada (ITV) soap opera/drama series; “Coronation Street” (Lawrence directed numerous episodes of the series from 1974-77, including filmed sequences). Another Granada (ITV) British television series that Lawrence worked on was 20 episodes of a brief comedy series with Peter Sallis (of “Last of the Summer Wine” and “Wallace and Gromit” fame) along with Arthur English (of “Are You Being Served?” fame), “The Ghosts of Motley Hall” (1976-78).

According to IMDB, “The Crawling Eye” (1958) was produced by Tempean Films in Great Britain.  Lawrence’s cult classic 1958 sci-fi masterpiece was released in Great Britain through  Eros Films Ltd., a production, distribution and motion picture exhibition company that was established by veteran British film distributors Phil and Sid Hyams.   Eros Films was also known as the British theatrical releasing firm that released the classic mammoth Arthur Crabtree– Richard Gordon sci-fi masterpiece production of “Fiend Without A Face” (1958) with  Marshall Thompson. Kim Parker, Kynaston Reeves, Stanley Maxted and Terence “Terry” Kilburn; the U.S. theatrical rights was handled by Metro-Goldwyn-Mayer (MGM) before Richard Gordon’s Gordon Films acquired the complete rights.

From an early 1960s advertising proof for the TV syndication of “The Crawling Eye” (1958), which was handled by pioneering TV syndicator/producer Eliot Hyman’s Seven Arts at the time.

The North American theatrical rights for “The Crawling Eye” (1958) was handled by independent releasing organization Distributors Corporation of America, which was also known as DCA.  DCA was known for releasing Will Price’s classic mammoth rock-and-roll revue masterpiece with the legendary “father of Rock & Roll,” Little Richard; young Tuesday Weld, the legendary La Vern Baker and the legendary pioneering New York Rock & Roll radio disc jockey Alan Freed; “Rock Rock Rock!” (1956, which was produced by Vanguard Productions, who also co-produced a latter classic mammoth Rock & Roll revue masterpiece feature with rival studio Warner Bros., titled “Jamboree!” in 1957). One of DCA’s other biggest successes was also the 1957 North American dub of Ishiro Honda’s classic mammoth kaiju creature-monster masterpiece production from Japan’s Toho Studios;  “Rodan” (1956) with veteran Toho Studios stunt performer Haruo Nakajima, Kenji Sahara, Yumi Shirakawa, Akio Koboril and Akihiko Hirata.

DCA also handled the original theatrical release of Ed Wood’s cult classic mammoth low-budget sci-fi masterpiece with the legendary Bela Lugosi, legendary pioneering Los Angeles, California TV horror film host Maila “Vampira” Nurmi, professional wrestler Tor Johnson and Criswell; “Plan 9 From Outer Space” (1957).   The distribution firm later released Robert Youngson’s classic mammoth comedy compilation masterpiece of Hal Roach‘s classic mammoth feature film comedy masterpiece moments, “The Golden Age of Comedy” (1957); which was then also released through competing rival studio Twentieth Century Fox (Twentieth Century Studios), according to a poster art element that was unearthed on Bonanza.com.

For “Killer Klowns in Outer Space” (1988), this will mark Sven’s second big coast-to-coast broadcast of the classic mammoth Chiodo Bros,-Trans World Entertainment sci-fi farce masterpiece production on Me-TV.  He previously showcased the Chiodos’ “Killer Klowns from Outer Space” (1988) as a Me-TV big broadcast premiere back in Feb. 2023.  In Sven’s home area of Berwyn/Chicago, he previously showcased the Chiodo Bros.’ cult classic mammoth 1988 horror/sci-fi/comedy masterpiece production of “Killer Klowns from Outer Space” as a Berwyn/Chicago big broadcast premiere on his hometown television station, WCIU-TV 26 back in Jan. 2011; according to IMDB.

For “The Crawling Eye” (1958), this will mark Sven’s fourth coast-to-coast big broadcast of the cult classic mammoth 1958 Quentin Lawrence sci-fi masterpiece on the airlanes of Me-TV.  He previously showcased Quentin Lawrence’s cult classic 1958 sci-fi/creature/fantasy masterpiece production of “”The Crawling Eye” as a big coast-to-coast broadcast premiere on the airlanes of Me-TV back in April 2021 from the safety “Sven Cave”/”Fortress of Svenitude” and as regular Me-TV big broadcasts back in Dec. 2021 and Nov. 2022. In Sven’s home area of Berwyn/Chicago, Illinois; he previously showcased Quentin Lawrence’s production of “The Crawling Eye” (1958) back in 2004 on his hometown television station, WCIU-TV 26/”The U”; according to IMDB.

“Svengoolie” presents his big broadcast of “Trilogy of Terror” (1975), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth made-for-TV movie horror anthology masterpiece that was produced by the American Broadcasting Company (ABC) television network.

“Svengoolie” presents his big broadcast of “Trilogy of Terror” (1975)

A fan-made trailer for Dan Curtis‘ classic mammoth ABC made-for-TV movie horror/thriller anthology masterpiece, “Trilogy of Terror” (1975) with Karen Black.

Custom art designed by Jacob Phillips for the Kino Lorber Blu-Ray & DVD release of Dan Curtis’ classic mammoth ABC made-for-TV horror anthology masterpiece, “Trilogy of Terror” (1975).

The legendary Berwyn/Chicago-based classic mammoth horror film masterpiece host will present his big broadcast of “Trilogy of Terror” (1975) this Sat., Sept. 30 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1975 ABC made-for-TV horror feature masterpiece production was directed by veteran television and feature film director-producer Dan Curtis.

Curtis was best-known for producing and directing his own classic mammoth ABC television network gothic horror series masterpiece production, “Dark Shadows” (1966-71) with Jonathan Frid (in the lead role of vampire Barnabas Collins) and Grayson Hall (in the lead role of Dr. Julia Hoffman, also of 1972’s “Gargoyles” fame).  Curtis also directed two classic mammoth Metro-Goldwyn-Mayer (MGM) gothic horror feature film masterpiece adaptations of his ABC-TV “Dark Shadows” series;  “House of Dark Shadows” (1970) with Frid and “Night of Dark Shadows” (1971, produced around the same time that ABC cancelled “Dark Shadows”).  20 years after the final ABC broadcast of “Dark Shadows,” Curtis would re-team with MGM to produce a newer, short-lived primetime “Dark Shadows” series for rival network NBC in 1991 with Ben Cross in the Barnabas Collins role.

Alongside his “Dark Shadows” productions and “Trilogy of Terror,” most of Curtis’ classic mammoth masterpiece TV productions aired on the ABC television network for the majority of his career.  He also produced the classic mammoth ABC made-for-TV movie masterpiece production of John Llewellyn Moxey‘s “The Night Stalker” (1972) with Darren McGavin, Simon Oakland, Carol Lynley, Claude Akins and Larry Linville (of TV’s “M*A*S*H” fame). Curtis also directed the classic mammoth ABC “Kolchak” made-for-TV movie masterpiece sequel, “The Night Strangler” (1973) with McGavin, Oakland, Margaret Hamilton of 1939’s “The Wizard of Oz” fame, John Carradine, Al Lewis of “The Munsters” fame and Wally Cox.  The two classic mammoth ABC made-for-TV “Kolchak” movie masterpieces inspired the latter classic mammoth Universal Studios/ABC TV supernatural masterpiece series “Kolchak: The Night Stalker” (1974-75) with McGavin and Oakland.  For the aforementioned 1975-75 Universal “Kolchak” series, Dan Curtis served as a supervising producer.  Speaking of “Kolchak,” the two aforementioned classic mammoth Dan Curtis/ABC “Kolchak” made-for-TV movie masterpieces with Darren McGavin and Simon Oakland will air on future editions of Svengoolie’s Sat. evening Me-TV big broadcasts as part of his twinset features for “Svengoolie’s Halloween Boo-nanza” 2023 festival! -C.H.

Curtis also directed the classic mammoth critically-acclaimed Emmy award-winning Paramount Pictures/ABC made-for-TV wartime drama masterpiece miniseries adaptation of Herman Wouk‘s “The Winds of War” (1983) with Robert Mitchum, Ali MacGraw, Ralph Bellamy, John Houseman, Topol of “Fiddler on the Roof” fame,  Polly Bergen and Peter Graves and a follow-up classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece sequel miniseries adaptation that was produced entirely by ABC, Herman Wouk’s “War and Remembrance” (1988-89) with Mitchum, Bellamy, Topol, Bergen, Sami Frey, Robert Hardy, Jane Seymour and William Schallert.

The screenplay of Curtis’ classic mammoth 1975 ABC made-for-TV horror/thriller masterpiece production was written by veteran screenwriter William F. Nolan and was based off of several original story ideas by veteran screenwriter Richard Matheson.  Nolan previously co-authored George Clayton Johnson‘s classic mammoth futuristic sci-fi thriller novel masterpiece that was later adapated by Michael Anderson for the classic mammoth Metro-Goldwyn-Mayer (MGM) futuristic sci-fi/thriller masterpiece production with Michael York, Jenny Agutter, Roscoe Lee Browne, Farrah Fawcett (Farrah Fawcett-Majors), Peter Ustinov and Richard Jordan; “Logan’s Run” (1976).  Matheson previously wrote the screenplay for Jack Arnold’s classic mammoth Universal Studios sci-fi/fantasy/visual effects masterpiece, “The Incredible Shrinking Man” (1957) with Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey (of TV’s “The Beverly Hillbillies” fame) and William Schallert and also wrote 16 episodes of Rod Serling‘s classic mammoth critically-acclaimed CBS television supernatural sci-fi/thriller/fantasy masterpiece series, “The Twilight Zone” (Matheson wrote for Serling’s series from 1959-64).

“Trilogy of Terror” (1975) originally aired on the ABC television network on March 4, 1975 as part of the network’s “Tuesday Movie of the Week”/”Movie of the Week” series of feature-length productions produced and/or financed by ABC, according to IMDB and an original 1975 ABC print advertisement for the network presentation of “Trilogy of Terror.”   The alphabet network began their “Movie of the Week” series in 1969

The animated/scanimation-filmed “ABC Movie of the Week” opening/closing graphics and bumpers contained a signature piece of music that was composed by legendary composer Burt Bacharach, which was an instrumental version of one of his original songs, “Nikki.”  An orchestral album cut version of Bacharach’s “Nikki” composition was released on the composer’s self-titled album via the legendary Herb Alpert & Jerry Moss‘ recorded music firm, A&M Records in 1971; according to Discogs.

Alongside feature-length productions that were produced by the network’s in-house production unit, ABC also contracted with veteran producer Aaron Spelling‘s production company, veteran producer and documentarian David L. Wolper‘s production outfit (Wolper would later sell his production company to Warner Bros. in 1976), Universal Studios/MCA and Columbia Pictures/Screen Gems (Columbia’s TV unit was later rebadged as Columbia Pictures Television in 1974) to produce made-for-TV movies for the network’s “Movie of the Week” showcases, according to Michael McKenna’s retrospective book on ABC’s slate of made-for-TV movies, “The ABC Movie of the Week: Big Movies for the Small Screen” and the Film Score Monthly forum.  Speaking of the “ABC Movie of the Week,” one of the other classic mammoth made-for-TV features that was previously shown on Svengoolie’s Me-TV showcases was young Steven Spielberg‘s classic mammoth Universal-ABC made-for-TV action thriller masterpiece production of “Duel” (1971) with Dennis Weaver; which marked one of the earliest classic mammoth major masterpiece productions for the young veteran director.

According to additional details from IMDB, Curtis’ classic mammoth made-for-TV thriller/horror masterpiece production was co-produced under the ABC television network’s in-house production unit, “ABC Circle Films” (which later became “ABC Productions,” which is now known as “ABC Studios“/”ABC Signature“).

For the original March 4, 1975 ABC television network airing of “Trilogy of Terror:” Curtis’ classic mammoth ABC made-for-TV 1975 horror/thriller masterpiece aired on ABC-owned WLS-TV in Berwyn/Chicago, Illinois and on a regional scale for the home region of “Silver Screen Reflections;” the original 1975 ABC showing of Curtis’ “Trilogy of Terror” aired on WMAL-TV 7 (which became WJLA-7 in 1977) ; WJLA/7 previously carried Me-TV in the Washington, D.C./Frederick, Maryland area from 2013-17) in the Washington, D.C./Frederick, Maryland area; ,WTPA-TV 27 (which became WHTM-27 in 1980) in the Gettysburg/Hanover/York/Harrisburg, Pennsylvania area and WJZ-TV Channel 13 (which later became affiliated with CBS after the 1995 Baltimore TV affiliation switch, CBS-owned since the 1996 Westinghouse/Group W-CBS merger) in the Baltimore, Maryland area. -C.H.

According to the March 4, 1975 issue of The Gettysburg Times, ABC programmed Dan Curtis’ “Trilogy of Terror” (1975) for the “Tuesday Movie of the Week” showcase in-between an episode of “Happy Days” (titled “Fonzie Joins the Band”) and an episode of “Marcus Welby, M.D.” (titled “Dark Corridors”).  During the original March 4, 1975 prime-time big broadcast airing of the “ABC Tuesday Movie of the Week”/”Trilogy of Terror,” the alphabet network & Dan Curtis’ classic mammoth 1975 made-for-TV horror-thriller masterpiece production was shown opposite an episode of “M*A*S*H” (titled “Payday”) and the First Annual “People’s Choice Awards” over on CBS and the Columbia Pictures made-for-TV movie production of “The Last Survivors” (1975) over on NBC.

During the original March 4, 1975 ABC big broadcast network TV premiere of Curtis’ “Trilogy of Terror,” it was reported that several ABC-affiliated stations from coast-to-coast did not clear Curtis’ classic mammoth 1975 made-for-TV horror anthology movie masterpiece production for prime-time.

According to a March 17, 1975 issue of Broadcasting (Broadcasting and Cable), several ABC affiliates were concerned and felt that ABC’s airing of “Trilogy of Terror” (1975) would scare off viewers in prime-time; yet ABC placed a viewer discretion disclaimer in the original network promos/commercials for Curtis’ 1975 production; according to a latter commercial for a syndicated airing of “Trilogy of Terror” that was unearthed on YouTube.

Several ABC affiliates decided to delay Curtis’ “Trilogy of Terror” (1975) by airing it in the Latenight timeslot in place of ABC’s then-Latenight programming lineup, “Wide World of Entertainment” in New Orleans, Louisiana (WVUE, which was affiliated with ABC until 1995); Miami, Florida (WPLG– though WPLG would later air a syndicated airing of “Trilogy of Terror” In 1981); Milwaukee, Wisconsin (WITI, which was affiliated with ABC until 1977) and Fresno, California (KJEO/KGPE, which was affiliated with ABC until 1985– when the network moved to KFSN as a result of the Capital Cities/ABC merger).

The only ABC-affiliated station that declined to show the original 1975 network airing of Curtis’ “Trilogy of Terror” (1975) in any timeslot was Duluth, Minnesota’s ABC affiliate (and future Me-TV affiliate) WDIO-TV.

This will mark Sven’s second big broadcast of Curtis’ classic mammoth 1975 ABC made-for-TV movie masterpiece production on the airlanes of Me-TV.  He previously showcased “Trilogy of Terror” (1975) as a big broadcast premiere back in Sept. 2022 for the start of the 2022 “Svengoolie’s Halloween Boo-nanza” festival along with the original Sept. 2022 premiere of the classic mammoth Me-TV documentary masterpiece on Svengoolie/Rich Koz, “Svengoolie: Uncrypted” (2022) featuring fellow Super SvenPals/Super Tooners Sarah Rhodes/Sarahgoolie, Nanette Keir and Brian Bernardoni!*  And speaking of “Sven:Uncrypted,” the classic mammoth 2022 Me-TV/Sven documentary masterpiece with fellow Super SvenPals/Super Tooners Sarah/Sarahgoolie, Nanette & Brian will be coming back to the airlanes in the upcoming Me-TV 2023 “Sven’s Halloween Boo-nanza” showcase this upcoming latenight Sat. evening, Oct. 14 at 11:30 p.m. Central/early Sun. morning, Oct. 15 at 12:30 a.m. Eastern after Sven’s twinset double-feature showcase! -C.H.

Who was in Dan Curtis’ classic mammoth ABC made-for-TV masterpiece production of “Trilogy of Terror” (1975)

The players who appeared in Dan Curtis’ classic mammoth ABC made-for-TV horror/thriller masterpiece production of “Trilogy of Terror” (1975) were Karen Black  (in the dual roles of Julie, Millicent, Therese and Amelia); Robert Burton (as Chad Foster), John Karlen (as Thomas Ammen), George Gaynes (as Dr. Chester Ramsey), Jim Storm (as Eddie Nells), Kathryn Reynolds (as Anne Richards), Orin Cannon (as a motel clerk), Gregory Harrison (as Arthur Moore), Tracy Curtis (as Tracy) and the vocal stylings of Walker Edmiston (for those who have not seen “Trilogy of Terror,” the writer/author of “Silver Screen Reflections” will not reveal what character Edmiston voiced in Curtis’ classic mammoth 1975 made-for-TV horror-thriller masterpiece). -C.H.