“Svengoolie” presents his big broadcast of Dan Curtis’ “Trilogy of Terror” (1975) featuring Karen Black, this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth made-for-network TV horror feature-length anthology movie masterpiece.

“Svengoolie” presents his big broadcast of Dan Curtis’ “Trilogy of Terror” (1975) featuring Karen Black

Compilation trailer for Dan Curtis‘ classic mammoth ABC made-for-TV movie horror/thriller/supernatural masterpiece, “Trilogy of Terror” (1975) with Karen Black.  Sidebar: This snippet was originally prepared/licensed by ABC for the latter VHS release via Illinois-based pioneering home entertainment distributor MPI Home Video (which would morph into today’s MPI Media Group, MPI had most home entertainment rights to select ABC-produced programs and ABC News programs/specials, MPI currently represents select home entertainment/physical media/streaming & select TV syndication rights to Dan Curtis’ select productions via Dan Curtis’ family/the estate of Dan Curtis).  Viewer discretion is advised.

“Karen Black is Sensational in ‘Trilogy of Terror’!” Original 1975 ABC Television Network newspaper advertising proof for the original “Tuesday Movie of the Week” airing of Dan Curtis’ “Trilogy of Terror” with Karen Black.

The legendary and iconic Berwyn/Chicago-based classic mammoth supernatural/horror film masterpiece host will present his big broadcast of “Trilogy of Terror” (1975) this Sat., Aug. 29 at 8 p.m. Eastern/7 p.m. Central on the airlanes of Me-TV.

The classic mammoth 1975 ABC made-for-TV thriller anthology feature masterpiece production was directed by veteran television and feature film director-producer Dan Curtis.

Curtis was best-known for producing and directing his own classic mammoth ABC television network gothic horror masterpiece series production of “Dark Shadows” (1966-71)* with Jonathan Frid (in the lead role of vampire Barnabas Collins) and Grayson Hall (in the lead role of Dr. Julia Hoffman, also of 1972’s “Gargoyles” fame).  Curtis also directed two classic mammoth Metro-Goldwyn-Mayer (MGM) gothic horror feature film masterpiece adaptations of his ABC-TV “Dark Shadows” series; “House of Dark Shadows” (1970) with Frid and “Night of Dark Shadows” (1971, produced and released around the same time that the ABC television network cancelled “Dark Shadows”).  20 years after the final ABC broadcast of “Dark Shadows,” Curtis reunited with MGM to produce a newer, short-lived primetime “Dark Shadows” series for rival network NBC in 1991 with Ben Cross in the role of vampire Barnabas Collins in the latter/brief Curtis/MGM/NBC “Dark Shadows” TV series revival.

Curtis was also involved with two classic mammoth ABC “Movie of the Week”/”Kolchak” made-for-TV movie supernatural masterpiece pilots, “The Night Stalker” (1972, produced by Curtis, directed by John Llewellyn Moxey) with  Darren McGavin (of the 1958-59 “Mickey Spillane’s Mike Hammer” TV adaptation series fame and later of 1983’s “A Christmas Story” fame), Carol Lynley (of 1972’s “The Poseidon Adventure” fame), Claude Akins (later of TV’s “Movin’ On” fame and TV’s “B.J. and the Bear“/“The Misadventures of Sheriff Lobo” fame), Larry Linville (of  TV’s “M*A*S*H” fame), Simon Oakland (of Alfred Hitchcock‘s “Psycho” fame, Peter Yates’ “Bullitt” fame and TV’s “Black Sheep Squadron”/”Baa Baa Black Sheep” fame), Ralph Meeker, Charles McGraw, Kent Smith, Elisha Cook Jr., Stanley Adams, Jordan Rhodes and Barry Atwater and “The Night Strangler” (1973, produced and directed by Curtis) with McGavin, Oakland, Jo Ann Pflug (of Robert Altman‘s 1970 “M*A*S*H” feature film fame), Wally Cox (of TV’s “Mister Peepers” fame and of interest to fellow Super Tooners/Super SvenPals of Toony & Bill’s “Toon In With Me,” of the vocal stylings of TV’s “Underdog“ fame), Margaret Hamilton (of 1939’s “The Wizard of Oz” fame, 1940’s “The Invisible Woman” fame, 1960’s “13 Ghosts” fame and in the latter part of her acting career- “Cora” for TV commercials for Maxwell House Coffee ), Al “Grampa” Lewis (of TV’s “The Munsters” fame and of 1966’s “Munster, Go Home!“ fame), Richard Anderson (of 1956’s “Forbidden Planet” fame),veteran horror actor John Carradine, Kate Murtagh (of 1977’s “The Car” fame and on the album cover of Supertramp‘s “Breakfast In America“ fame), Nina Wayne, Virginia Peters, Ivor Francis, Diane Shalet, Anne Randall, Francoise Birnheim and Regina Parton/Ethel Parker.  The two classic mammoth ABC “Kolchak” made-for-TV movie masterpieces later inspired the 1974-75 classic mammoth Universal Studios/ABC “Kolchak” supernatural masterpiece TV series, “Kolchak: The Night Stalker” with McGavin and Oakland reprising their roles from the two aforementioned classic mammoth Curtis/ABC “Kolchak” made-for-TV movie masterpiece productions.  Darren McGavin also served as executive producer on the aforementioned Universal “Kolchak” series.

Curtis also directed his classic mammoth made-for-TV horror/vampire monster masterpiece adaptation that was inspired by Bram Stoker‘s gothic novel,  “Dan Curtis’ Dracula” (1974) with Jack Palance, Simon Ward, Nigel Davenport, Pamela Brown, Fiona Lewis, Penelope Horner, Murray Brown, Virginia Wetherell, Barbara Lindley,  Sarah Douglas,  George Pravda, Hana Maria Pravda, Reg Lye, Fred Stone, Roy Spencer, John Challis, Nigel Gregory, John Pennington, Martyn Read, Gita Denise, Sandra Caron and Eddie Powell; Curtis’ classic mammoth made-for-TV movie adaptation of “Dracula” aired in 1974 on that now-disgraced television network with the “eye” trademark.

Curtis also directed his own classic mammoth made-for-TV thriller movie masterpiece production of “Dead of Night” (1977) that aired on the NBC television network that featured Ed Begley Jr., E.J. André, Ann Doran, Christina Hart, Patrick Macnee, Anjanette Comer, Joan Hackett, Elisha Cook Jr., Horst Buchholz, Lee Montgomery, the vocal stylings of John Dehner, Orin Cannon, Jean Le Bouvier, Dick McGarvin, Karen Hurley, Michael Talbott, Gail Bowman, Lars Green, Joan Lemmo and Jeff Reese. The aforementioned 1977 production was partially inspired by an earlier one-hour pilot teleplay that Curis co-directed with Lela Swift for ABC that never materialized into a series, titled “Dead of Night: A Darkness at Blaisedon” (1969) with Cal Bellini, Thayer David, Marj Dusay, Louis Edmonds, Ingrid Helmke and Kerwin Mathews (of 1958’s “The 7th Voyage of Sinbad” fame and of 1973’s “The Boy Who Cried Werewolf” fame).

Curtis also directed the classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece miniseries adaptation of Herman Wouk‘s “The Winds of War” (1983) with Robert Mitchum, Ali MacGraw, Ralph Bellamy, John Houseman, Topol (of 1971’s “Fiddler on the Roof” fame), Polly Bergen and Peter Graves (of TV’s “Mission: Impossible” fame, 1980’s “Airplane!” fame and host of TV’s “A&E Biography” fame) and a follow-up classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece sequel miniseries adaptation that was co-produced entirely by ABC, Herman Wouk’s “War and Remembrance” (1988-89) with Mitchum, Bellamy, Topol, Bergen, Sami Frey, Robert Hardy, Jane Seymour and William Schallert.

The screenplay of Curtis’ classic mammoth 1975 ABC made-for-TV horror/supernatural/thriller anthology masterpiece production of “Trilogy of Terror” was written by veteran screenwriter William F. Nolan and was based off of several original story ideas by veteran screenwriter Richard Matheson.  Nolan previously co-authored George Clayton Johnson‘s classic mammoth futuristic sci-fi thriller novel masterpiece that was later adapated by Michael Anderson for the classic mammoth Metro-Goldwyn-Mayer (MGM) futuristic sci-fi/thriller masterpiece production with Michael York, Jenny Agutter, Roscoe Lee Browne, Farrah Fawcett (Farrah Fawcett-Majors), Peter Ustinov and Richard Jordan; “Logan’s Run” (1976).

Matheson previously wrote the original story for Jack Arnold’sclassic mammoth Universal Studios sci-fi/fantasy/visual effects masterpiece, “The Incredible Shrinking Man” (1957) with Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey, William Schallert, Frank J. Scannell, Helene Marshall, Diana Darrin, Lock Martin and Orangey the Cat.  Matheson later wrote the screenplay for the classic mammoth Roger Corman/American-International thriller masterpiece adaptation of Edgar Allan Poe‘s “The Pit and the Pendulum” (1961) with the legendary Vincent Price, Barbara Steele, John Kerr, Luana Anders, Antony Carbone, Patrick Westwood, Lynette Bernay, Larry Turner, Mary Menzies, Charles Victor and Randee Lynne Jensen.  Matheson also wrote the screenplay for Steven Spielberg‘s classic mammoth Universal Studios action-adventure-thriller masterpiece production of “Duel” (1971, originally produced as a Universal/ABC-TV made-for-TV movie masterpiece production and one of Spielberg’s earliest productions) with Dennis Weaver,  Jacqueline Scott, Lucille Benson, Eddie Firestone,  Lou Frizzell, Shirley O’ Hara, Gene Dynarski and Amy Douglass. Matheson also wrote the teleplay for John Llewellyn Moxey and Dan Curtis’ classic mammoth ABC “Kolchak” made-for-TV movie masterpiece pilot, “The Night Stalker” (1972) and two of the teleplay installments in Curtis’ classic mammoth ABC made-for-TV supernatural/thriller anthology masterpiece feature, “Trilogy of Terror” (1975).

“Trilogy of Terror” (1975) originally aired on the ABC television network on March 4, 1975 as part of the network’s “Tuesday Movie of the Week”/”Movie of the Week” series of feature-length productions produced and/or financed by ABC, according to IMDB and an original 1975 ABC print advertisement for the network presentation of “Trilogy of Terror.”   The alphabet network began their “Movie of the Week” series in 1969

The animated/scanimation-filmed “ABC Movie of the Week” opening/closing graphics and bumpers contained a signature piece of music that was composed by legendary composer Burt Bacharach, which was an instrumental version of one of his original songs, “Nikki.”  An orchestral album cut version of Bacharach’s “Nikki” composition was released on the composer’s self-titled album via the legendary Herb Alpert & Jerry Moss‘ recorded music firm, A&M Records in 1971; according to Discogs.

According to additional details from IMDB, Curtis and Moxey’s classic mammoth 1972 made-for-TV supernatural feature masterpiece production was co-produced under one of the in-house production subsidiaries of the ABC television network “ABC Circle Films” (which later became “ABC Productions,” which then morphed into “ABC Studios“/”ABC Signature“).  Alongside “Trilogy of Terror” (1975), the two original classic mammoth ABC “Kolchak” made-for-TV movie pilot masterpieces, the network’s self-produced made-for-TV movies, miniseries, “afterschool specials” and original productions that were produced under ABC’s “ABC Circle Films” moniker, one of the other well-known ABC-TV original productions that was produced under the network’s “ABC Circle Films” imprint was the network’s classic mammoth romantic detective series, “Moonlighting” (1985-89) with Cybill Shepherd, Bruce Willis and the famous opening title song track performed by Al Jarreau.  ABC merged with radio & TV broadcast group Capital Cities Communications in 1985 to form Capital Cities/ABC, Inc.  Capital Cities/ABC was later acquired by the Walt Disney Company in 1996, the ABC Circle Films/ABC Productions/ABC Video Enterprises holdings would be immediately placed under Disney’s in-house TV production/syndication unit (then-known as Buena Vista Television, currently trading under the Disney Platform Distribution moniker).

After The Walt Disney Company’s acquisition of then-rival film & TV studio Twentieth Century Fox Film Corporation from controversial tabloid newspaper/media baron Rupert Murdoch in 2017 (Disney renamed Twentieth Century Fox as Twentieth Century Studios and the TV production/syndication unit was renamed Twentieth Television, which was already an existing name for the TV syndication unit of Twentieth Century Fox), Disney consolidated ABC’s entertainment production subsidiaries under the Twentieth Television moniker (for example, Jimmy Kimmel’s ABC-TV latenight show is now co-produced under the Disney-owned Twentieth Television moniker after being previously co-produced under Disney’s “Touchstone” moniker and the ABC Studios/ABC Signature monikers).

Alongside feature-length productions that were produced by the network’s in-house production unit, ABC also contracted with veteran producer Aaron Spelling‘s production company, veteran producer and documentarian David L. Wolper‘s production outfit (Wolper later sold his production company to Warner Bros. in 1976 and formed a longtime production alliance with Warners), Universal Studios/MCA and Columbia Pictures/Screen Gems (Columbia’s TV unit was later rebadged by the studio as Columbia Pictures Television in 1974) to produce made-for-TV movies for the network’s “Movie of the Week” showcases, according to Michael McKenna’s retrospective book on ABC’s slate of made-for-TV movies, “The ABC Movie of the Week: Big Movies for the Small Screen” and the Film Score Monthly forum.  Speaking of the “ABC Movie of the Week,” other classic mammoth made-for-TV features that have been showcased on Svengoolie’s Me-TV big broadcasts include young Steven Spielberg‘s classic mammoth Universal/ABC made-for-TV action thriller masterpiece production of “Duel” (1971) with Dennis Weaver; which marked one of the earliest classic mammoth major masterpiece productions for the young veteran director and Curtis’ classic mammoth ABC made-for-TV horror-anthology masterpiece production of “Trilogy of Terror” (1975).

For the original March 4, 1975 ABC television network airing of “Trilogy of Terror:”Curtis’ classic mammoth ABC made-for-TV 1975 horror/thriller masterpiece aired on ABC-owned WLS-TV in Berwyn/Chicago, Illinois and on a regional scale for the home region of “Silver Screen Reflections;” the original 1975 ABC showing of Curtis’ “Trilogy of Terror” aired on WMAL-TV 7 (which became the now-disgraced and infamous WJLA-7 in 1977 ; WJLA/7 previously carried Me-TV in the Washington, D.C./Frederick, Maryland area from 2013-17) in the Washington, D.C./Frederick, Maryland area; ,WTPA-TV 27 (which became WHTM-27 in 1980) in the Gettysburg/Hanover/York/Harrisburg, Pennsylvania area and WJZ-TV Channel 13 (which later became affiliated with the now-disgraced & infamous network with the “eye” logo after the 1995 Baltimore TV affiliation switch, C*S-owned since the 1996 Westinghouse/Group W-C*S merger ) in the Baltimore, Maryland area. -C.H.

According to the March 4, 1975 issue of The Gettysburg Times, ABC programmed Dan Curtis’ “Trilogy of Terror” (1975) for the “Tuesday Movie of the Week” showcase in-between an episode of “Happy Days” (titled “Fonzie Joins the Band”) and an episode of “Marcus Welby, M.D.” (titled “Dark Corridors”).  During the original March 4, 1975 prime-time big broadcast airing of the “ABC Tuesday Movie of the Week”/”Trilogy of Terror,” the alphabet network & Dan Curtis’ classic mammoth 1975 made-for-TV horror-thriller masterpiece production was shown opposite an episode of “M*A*S*H” (titled “Payday”) and the First Annual “People’s Choice Awards” over on C*S nd the Columbia Pictures made-for-TV movie production of “The Last Survivors” (1975) over on NBC.

During the original March 4, 1975 ABC big broadcast network TV premiere of Dan Curtis’ “Trilogy of Terror,” it was reported that several ABC-affiliated stations from coast-to-coast did not clear Curtis’ classic mammoth 1975 made-for-TV horror anthology movie masterpiece production for prime-time.

According to a March 17, 1975 issue of Broadcasting (Broadcasting and Cable), several ABC affiliates were concerned and felt that ABC’s airing of “Trilogy of Terror” (1975) would scare off viewers in prime-time; yet ABC placed a viewer discretion disclaimer in the original network promos/commercials for Curtis’ 1975 production; according to a latter commercial for a syndicated airing of “Trilogy of Terror” that was unearthed on YouTube.

Several ABC affiliates decided to delay Curtis’ “Trilogy of Terror” (1975) by airing it in the Latenight timeslot in place of ABC’s then-Latenight programming lineup, “Wide World of Entertainment” in New Orleans, Louisiana (WVUE, which was affiliated with ABC until 1995); Miami, Florida (now-former ABC affiliate WPLG; though WPLG would later air a syndicated airing of “Trilogy of Terror” In 1981); Milwaukee, Wisconsin (WITI, which was affiliated with ABC until 1977) and Fresno, California (KJEO/KGPE, which was affiliated with ABC until 1985; when the network moved to KFSN as a result of the Capital Cities/ABC merger since KFSN was owned by Capital Cities prior to the station group’s merger with ABC).

The only ABC-affiliated station that declined to show the original 1975 network airing of Curtis’ “Trilogy of Terror” (1975) in any timeslot was Duluth, Minnesota’s ABC affiliate (and future Me-TV affiliate) WDIO-TV.

This will mark Sven’s fifth big broadcast of Dan Curtis’ classic mammoth 1975 ABC made-for-TV anthology movie masterpiece production on the airlanes of Me-TV.  He previously showcased “Trilogy of Terror” (1975) as a big broadcast premiere back in Sept. 2022 for the start of the 2022 “Svengoolie’s Halloween Boo-nanza” festival along with the original Sept. 2022 premiere of the classic mammoth Me-TV documentary masterpiece on Svengoolie/Rich Koz, “Svengoolie: Uncrypted” (2022) featuring fellow Super SvenPals/Super Tooners/Super readers of “Silver Screen Reflections” Sarah Rhodes, Nanette Keir, Brian Bernardoni plus the Sven collections of fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections” Dave Fuentes of “Terror from Beyond the Dave” fame and Warner Todd Huston!  “Trilogy of Terror” then aired as regular Sven/Me-TV big broadcasts back in Sept. 2023, Oct. 2023 and in April 2024.

Who was in Dan Curtis’ classic mammoth ABC made-for-TV masterpiece production of “Trilogy of Terror” (1975)

The players who appeared in Dan Curtis’ classic mammoth ABC made-for-TV horror/thriller masterpiece production of “Trilogy of Terror” (1975) were Karen Black  (in the dual roles of Julie, Millicent, Therese and Amelia); Robert Burton (as Chad Foster), John Karlen (as Thomas Ammen), George Gaynes (as Dr. Chester Ramsey), Jim Storm (as Eddie Nells), Kathryn Reynolds (as Anne Richards), Orin Cannon (as a motel clerk), Gregory Harrison (as Arthur Moore), Tracy Curtis (as Tracy) and the vocal stylings of Walker Edmiston (for those who have not seen “Trilogy of Terror,” the writer/author of “Silver Screen Reflections” will not reveal what character Edmiston voiced in Curtis’ classic mammoth 1975 made-for-TV horror-thriller masterpiece). -C.H.

Remembering my Father, Charles David Hamby (1947-2026)

Sidebar: I haven’t been on the airlanes of “Silver Screen Reflections” in awhile.

Remembering my Father, Charles David Hamby (Dec. 17, 1947-Aug. 3, 2026)

I am in a state of sadness. The light has gone out in my life.My #Father died this morning at Hospice at the age of 78. :-(I know that he is reunited with my late #Mother in heaven. I truly miss the both of them.Farewell to my Father (Dec, 17, 1947-Aug. 3, 2026). Photographed back in 2009.

— Christopher Hamby (@chrishambyfilms.bsky.social) 2026-08-04T03:16:37.056Z

On August 3, 2026; the light went out in my life that morning.   My Father, Charles David Hamby died on that day.

Thinking back to my Father, he; along with my Late Mother (Nov. 28, 1948-Nov. 9, 2024) brought a lot of joy and happiness. Just like my Mother, he truly introduced me to the world of classic film, TV and cartoon masterpieces in my early years; which helped instill my self-interest and knowledge in the field of classic film, TV and cartoon masterpieces.

“Svengoolie” presents his big broadcast of “The Night Stalker” (1972) with Darren McGavin, Simon Oakland, Claude Akins & Larry Linville; this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of one of the classic mammoth ABC-TV “Kolchak” made-for-TV supernatural/thriller movie/TV “movie of the week” pilot masterpieces.

“Svengoolie” presents his big broadcast of “The Night Stalker” (1972) with Darren McGavin, Simon Oakland, Claude Akins and Larry Linville

Original 1972 ABC (American Broadcasting Company)-TV “Tuesday Movie of the Week: World Premiere” opening bumper/preview for Dan Curtis and John Llewellyn Moxey’s classic mammoth ABC supernatural “Kolchak” made-for-TV movie pilot masterpiece featuring Darren McGavin in the role of Carl Kolchak with Claude Akins and Simon Oakland, “The Night Stalker;” featuring narration in the original 1972 ABC “The Night Stalker” promo by veteran ABC network & promotional voice-over artist Ernie Anderson (Anderson was also a veteran TV monster/sci-fi/horror feature film host in Cleveland, Ohio in the 1960s on WJW-TV under the name of “Ghoulardi”).

“A World Premiere!” Original 1972 American Broadcasting Company (ABC) Television Network newspaper advertisement for the network’s “Movie of the Week”/”Kolchak” premiere movie of “The Night Stalker” with Darren McGavin and Carol Lynley.

The legendary and iconic classic mammoth supernatural/fantasy feature film masterpiece host will present his big broadcast of “The Night Stalker” (1972), this Sat.; July 25 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

The classic mammoth 1972 ABC “Kolchak” made-for-TV movie pilot masterpiece was produced by veteran TV and feature film director-producer Dan Curtis. Curtis was best-known for producing and directing his own classic mammoth ABC television network gothic horror masterpiece series production, “Dark Shadows” (1966-71) with Jonathan Frid (in the lead role of vampire Barnabas Collins) and Grayson Hall (in the lead role of Dr. Julia Hoffman, also of 1972’s “Gargoyles” fame).  Curtis also directed two classic mammoth Metro-Goldwyn-Mayer (MGM) gothic horror feature film masterpiece adaptations of his ABC-TV “Dark Shadows” series; “House of Dark Shadows” (1970) with Frid and “Night of Dark Shadows” (1971, produced and released around the same time that ABC cancelled “Dark Shadows”).  20 years after the final ABC broadcast of “Dark Shadows,” Curtis reunited with MGM to produce a newer, short-lived primetime “Dark Shadows” series for rival network NBC in 1991 with Ben Cross in the role of vampire Barnabas Collins in the latter/brief Curtis/MGM/NBC “Dark Shadows” series revival.

Curtis also directed his classic mammoth made-for-TV movie vampire masterpiece production adaptation of Bram Stoker’s gothic vampire novel, titled  “Dan Curtis’ Dracula” (1974) with Jack Palance, Simon Ward, Nigel Davenport, Pamela Brown, Fiona Lewis, Penelope Horner, Murray Brown, Virginia Wetherell, Barbara Lindley,  Sarah Douglas,  George Pravda, Hana Maria Pravda, Reg Lye, Fred Stone, Roy Spencer, John Challis, Nigel Gregory, John Pennington, Martyn Read, Gita Denise, Sandra Caron and Eddie Powell.

Curtis also produced and directed his classic mammoth ABC made-for-TV thriller-horror anthology movie masterpiece production of “Trilogy of Terror” (1975) with  Karen Black , Robert Burton, John Karlen, George Gaynes, Jim Storm, Kathryn Reynolds, Orin Cannon, Gregory Harrison, Tracy Curtis  and the vocal stylings of Walker Edmiston.

The 1972 classic mammoth “Kolchak” made-for-TV movie masterpiece was directed by veteran TV and made-for-TV movie director-producer John Llewellyn Moxey.  Moxey previously directed seven episodes of the classic mammoth British action-drama TV series adaptation of Leslie Charteris’ novelizations for Lew Grade’s Associated Television (ATV)/ITC, “The Saint” with a pre-James Bond Roger Moore (Moxey directed episodes of “The Saint” from 1963-67).  Moxey later focused on directing productions in the United States.  Alongside “The Night Stalker” (1972), Moxey directed one episode of the classic mammoth William Castle/Columbia Pictures-Screen Gems/ABC supernatural/thriller masterpiece series, “Circle of Fear” (Moxley directed the 1972 episode of “Circle of Fear” titled “The New House” with Sebastian Cabot of TV’s “Family Affair” fame, David Birney, Barbara Parkins, Sam Jaffe and a cameo appearance by Castle).

He also directed one episode of the brief “Perry Mason” revival with Monte Markham, “The New Perry Mason” (Moxley directed the 1973 episode “The Case of the Ominous Oath”).  To paraphrase Sven, John Lewellen Moxey worked on ‘Almost Perry Mason!’ -C.H.  Near the conclusion of his directorial career, Moxey directed 18 episodes of the classic mammoth long-running Universal Studios TV detective/mystery masterpiece series with Angela Lansbury, “Murder, She Wrote” (Moxey directed his episodes of the series from 1984-91).

The screenplay for the classic mammoth Curtis-Moxey-ABC “Kolchak” made-for-TV movie pilot masterpiece production of “The Night Stalker” (1972) was written by veteran screenwriter Richard Matheson.  Matheson previously wrote the original story for Jack Arnold’sclassic mammoth Universal Studios sci-fi/fantasy/visual effects masterpiece, “The Incredible Shrinking Man” (1957) with Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey, William Schallert, Frank J. Scannell, Helene Marshall, Diana Darrin, Lock Martin and Orangey the Cat.  Matheson later wrote the screenplay for the classic mammoth Roger Corman/American-International thriller masterpiece adaptation of Edgar Allan Poe‘s “The Pit and the Pendulum” (1961) with the legendary Vincent Price, Barbara Steele, John Kerr, Luana Anders, Antony Carbone, Patrick Westwood, Lynette Bernay, Larry Turner, Mary Menzies, Charles Victor and Randee Lynne Jensen.  Matheson also wrote the screenplay for Steven Spielberg‘s classic mammoth Universal Studios action-adventure-thriller masterpiece production of “Duel” (1971, originally produced as a Universal/ABC made-for-TV movie production and one of Spielberg’s earliest productions) with Dennis Weaver,  Jacqueline Scott, Lucille Benson, Eddie Firestone,  Lou Frizzell, Shirley O’ Hara, Gene Dynarski and Amy Douglass.

Dan Curtis also directed the classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece miniseries adaptation of Herman Wouk‘s “The Winds of War” (1983) that aired on ABC with Robert Mitchum, Ali MacGraw, Ralph Bellamy, John Houseman, Topol (of 1971’s “Fiddler on the Roof” fame), Polly Bergen and Peter Graves and a follow-up classic mammoth critically-acclaimed Emmy award-winning made-for-TV wartime drama masterpiece sequel miniseries adaptation that was produced entirely by ABC, Herman Wouk’s “War and Remembrance” (1988-89) with Mitchum, Bellamy, Topol, Bergen, Sami Frey, Robert Hardy, Jane Seymour and William Schallert.

“The Night Stalker” (1972) originally aired on the ABC television network on Jan. 11, 1972 as part of the network’s “Tuesday Movie of the Week”/”Movie of the Week: World Premiere” series of feature-length productions produced and/or financed by ABC along with made-for-TV productions produced for the network by the major studios/production firms.

According to additional details from IMDB, Curtis and Moxey’s classic mammoth 1972 made-for-TV supernatural feature masterpiece production was co-produced under one of the in-house production subsidiaries of the ABC television network “ABC Circle Films” (which later became “ABC Productions,” which then morphed into “ABC Studios“/”ABC Signature“).  Alongside the two original classic mammoth ABC “Kolchak” made-for-TV movie pilot masterpieces, many made-for-TV movies, miniseries, “afterschool specials” and original productions that were produced under ABC’s “ABC Circle Films” moniker, one of the other well-known ABC-TV original productions that was produced under the “ABC Circle Films” imprint was the network’s classic mammoth romantic detective series, “Moonlighting” (1985-89) with Cybill Shepherd, Bruce Willis and the famous opening title song track performed by Al Jarreau.  ABC merged with radio & TV broadcast group Capital Cities Communications in 1985 to form Capital Cities/ABC, Inc.  Capital Cities/ABC was later acquired by the Walt Disney Company in 1996, the ABC Circle Films/ABC Productions/ABC Video Enterprises holdings would be immediately placed under Disney’s in-house TV production/syndication unit (then-known as Buena Vista Television, currently trading under the Disney Platform Distribution moniker).

After The Walt Disney Company’s acquisition of then-rival film & TV studio Twentieth Century Fox from controversial tabloid newspaper/media baron Rupert Murdoch* in 2017 (Disney renamed Twentieth Century Fox as Twentieth Century Studios and the TV production/syndication unit was renamed Twentieth Television, which was already an existing name for the TV syndication unit of Twentieth Century Fox), Disney consolidated ABC’s entertainment production subsidiaries under the Twentieth Television moniker (for example, Jimmy Kimmel’s ABC-TV latenight show is now co-produced under the Disney-owned Twentieth Television moniker after being previously co-produced under Disney’s “Touchstone” moniker and the ABC Studios/ABC Signature monikers).

The animated/scanimation-filmed “ABC Movie of the Week” opening/closing graphics and bumpers contained a signature piece of music that was composed by veteran composer Burt Bacharach, which was an instrumental version of one of his original songs, “Nikki.”  An orchestral album cut version of Bacharach’s “Nikki” composition was released on the composer’s self-titled album via Herb Alpert & Jerry Moss‘ recorded music firm, A&M Records in 1971; according to Discogs.

Alongside feature-length productions that were produced by the network’s in-house production unit, ABC also contracted with veteran producer Aaron Spelling‘s production company, veteran producer and documentarian David L. Wolper‘s production outfit (Wolper later sold his production company to Warner Bros. in 1976 and formed a longtime production alliance with Warners), Universal Studios/MCA and Columbia Pictures/Screen Gems (Columbia’s TV unit was later rebadged by the studio as Columbia Pictures Television in 1974) to produce made-for-TV movies for the network’s “Movie of the Week” showcases, according to Michael McKenna’s retrospective book on ABC’s slate of made-for-TV movies, “The ABC Movie of the Week: Big Movies for the Small Screen” and the Film Score Monthly forum.  Speaking of the “ABC Movie of the Week,” other classic mammoth made-for-TV features that have been showcased on Svengoolie’s Me-TV big broadcasts include young Steven Spielberg‘s classic mammoth Universal/ABC made-for-TV action thriller masterpiece production of “Duel” (1971) with Dennis Weaver; which marked one of the earliest classic mammoth major masterpiece productions for the young veteran director and Curtis’ classic mammoth ABC made-for-TV horror-anthology masterpiece production of “Trilogy of Terror” (1975).

According to the Jan. 11, 1972 edition of The Frederick Post (News-Post), ABC programmed Curtis and Moxey’s made-for-TV movie production of “The Night Stalker” for their “Tuesday Movie of the Week” showcase between an episode of “The Mod Squad” and an episode of “Marcus Welby, M.D.”  During the original Jan. 11, 1972 prime-time big broadcast airing/premiere of the “ABC Tuesday Movie of the Week”/”The Night Stalker,” the alphabet network’s classic mammoth 1972 made-for-TV supernatural masterpiece production was shown opposite episodes of “Hawaii Five-O” (with Jack Lord) and “Cannon” (with William Conrad) on the original incarnation of CBS and a news report along with an episode of “Nichols” (with James Garner) on NBC.

For the original ABC television network “Movie of the Week”/”Kolchak” made-for-TV movie pilot premiere of “The Night Stalker” (1972): For the original Jan. 11, 1972 ABC television network premiere/airing of “The Night Stalker” (1972): Curtis and Moxey’s classic mammoth ABC made-for-TV movie masterpieces aired on ABC-owned WLS-TV in Berwyn/Chicago, Illinois and on a regional scale for the home region/home office of “Silver Screen Reflections;” WMAL-TV 7 (which became the now-disgraced WJLA/7 in 1977; WJLA/7 previously carried Me-TV in the Washington, D.C./Frederick, Maryland area from 2013-17) in the Washington, D.C./Frederick, Maryland area; WTPA-TV 27 (which became WHTM-27 in 1980) in the Gettysburg/Hanover/York/Harrisburg, Pennsylvania area and then-Westinghouse/Group W-owned ABC affiliate WJZ-TV Channel 13 (which later became affiliated with the now-disgraced network with the “eyemark” after the 1995 Baltimore TV affiliation switch, network-owned since the 1996 Westinghouse/Group W-C*S merger) in the Baltimore, Maryland area.

This will mark Sven’s third big broadcast of the classic mammoth 1972 ABC “Kolchak” supernatural made-for-TV movie masterpiece pilot on the airlanes of Me-TV.   He previously showcased “The Night Strangler” (1972) as a coast-to-coast big broadcast premiere as part of “Svengoolie’s Halloween BOO-nanza” 2023 twinset with the North American dub of Ishiro Honda’s classic mammoth Toho Studios kaiju creature masterpiece featuring Haruo Nakajima and Raymond “Perry Mason” Burr, “Gojira/Godzilla: King of the Monsters!” (1954/56) back in Oct. 2023 and as a regular Sven/Me-TV big broadcast back in Sept. 2024.

In Sven/Rich’s home area of Berwyn/Chicago, he previously showcased the classic mammoth 1972 ABC “Kolchak” made-for-TV movie pilot masterpiece as a Berwyn/Chicago Sven big broadcast premiere on his hometown TV station, WCIU-TV 26/”The U” back in May 1999, according to IMDB.

Who was in the classic mammoth ABC “Kolchak”/”Movie of the Week” made-for-TV supernatural movie pilot masterpiece production of “The Night Stalker” (1972)?

The players who appeared in Curtis and Moxey’s classic mammoth ABC “Kolchak”/”Movie of the Week” made-for-TV supernatural movie pilot masterpiece production of “The Night Stalker” (1972) were Darren McGavin (as Carl Kolchak), Carol Lynley (as Gail Foster), Claude Akins (as Sherriff Butcher), Larry Linville (as Makurji), Simon Oakland (as Tony Vincenzo),  Ralph Meeker (as Bernie Jenks), Charles McGraw (as Chief Masterson), Kent Smith (as D.A. Paine), Elisha Cook Jr. (as Mickey Crawford), Stanley Adams (as Fred Hurley), Jordan Rhodes (as Dr. O’Brien) and Barry Atwater (as Janos Skorzeny).

“Svengoolie” to present his big broadcast of “Invisible Agent” (1942) with Jon Hall & Peter Lorre; this Sat. on Me-TV

Fellow Svengoolie SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth Universal Studios “Invisible” sci-fi masterpiece installment.

“Svengoolie” to present his big broadcast of “Invisible Agent” (1942) with Jon Hall & Peter Lorre

Original 1942 Universal Studios theatrical trailer for “Invisible Agent” with Jon Hall, Ilona Massey and Peter Lorre. One of the few instances that a 1940s-era Universal theatrical feature film release trailer has been preserved in its complete form.

“Today’s most amazing sensation!” Original 1942 Universal Studios theatrical poster art for “Invisible Agent.”

The legendary and iconic Berwyn/Chicago-based classic mammoth sci-fi feature film masterpiece host will present his big broadcast of “Invisible Agent” (1942) on the airlanes of Me-TV this Sven Sat. evening, July 4/Independence Day at 8 p.m. Eastern/7 p.m. Central.

The classic mammoth 1942 Universal wartime-era sci-fi masterpiece production was directed by veteran director Edwin L. Marin.  Alongside “Invisible Agent” (1942), Marin was mostly known for directing the classic mammoth Metro-Goldwyn-Mayer (MGM) holiday drama masterpiece adaptation of Charles Dickens’ “A Christmas Carol” (1938) with Reginald Owen, Terence “Terry” Kilburn (later of 1958’s ““Fiend Without A Face” fame), Gene Lockhart, Kathleen Lockhart, Ann Rutherford (also of MGM’s “Andy Hardy” feature film series fame with Mickey Rooney) and young Leo G. Carroll. Marin also directed the classic mammoth MGM “Maisie” comedy masterpiece feature film series with Ann Sothern in the title character role of Maisie Ravier from 1939-41. 

Marin also directed the classic mammoth Benedict Bogeaus holiday/comedy/drama masterpiece production of “Christmas Eve” (1947) with George Raft, Joan Blondell, Randolph Scott (in one of his few non-western feature film appearances), George Brent, Ann Harding, Reginald Denny, Dolores Moran, Douglass Dumbrille, Virginia Field, Dennis Hoey and John Litel; the classic mammoth RKO Radio Pictures comedy-drama masterpiece production of “Lady Luck” (1946) with Robert Young (later of TV’s “Father Knows Best” and “Marcus Welby” fame), Barbara Hale (later of TV’s “Perry Mason” fame) and Frank Morgan (of 1939’s “The Wizard of Oz” Fame).   Marin later worked on western feature films for the remainder of his career, including the classic mammoth Warner Bros. western feature film masterpiece, “Sugarfoot” (1951) with Randolph Scott, Adele Jergens, Raymond Massey, S.Z. “Cuddles” Sakall and Arthur Hunnicutt; which later inspired the classic mammoth Warner Bros./ABC TV western masterpiece series of the same name, “Sugarfoot” (1957-61) with Will Hutchins in the title role. 

The classic mammoth 1942 Universal wartime sci-fi masterpiece production of “Invisible Agent” was co-produced by veteran producer-director Frank Lloyd, who was known for directing the classic mammoth MGM Academy Award-winning adventure-drama masterpiece adaptation production of “Mutiny on the Bounty” (1935) with Charles Laughton, Clark Gable, Spring Byington, Movita, Franchot Tone and Donald Crisp. 

Veteran feature film & TV director-producer George Waggner served as an associate producer for Marin’s classic mammoth Universal sci-fi masterpiece production of “Invisible Agent;” Waggner previously directed  the classic mammoth Universal werewolf monster masterpiece production of “The Wolf Man” (1941), with Lon Chaney Jr., Evelyn Ankers, Claude Rains, Bela Lugosi, Maria Ouspenskaya, Ralph Bellamy, Warren William and Patric Knowles and later worked on numerous episodes of the classic mammoth Twentieth Century Fox (Twentieth Century Studios)/ABC TV live-action “Batman” TV series adaptation with Adam West and Burt Ward (Waggner directed episodes from 1966-67).

The screenplay for Marin’s classic mammoth Universal wartime sci-fi masterpiece production of “Invisible Agent” (1942) was written by veteran screenwriter and science-fiction author  Curt Siodmak. Alongside writing the screenplay for the classic mammoth Universal werewolf monster masterpiece production of “The Wolf Man” (1941), Siodmak’s other notable classic mammoth Universal monster and sci-fi feature film masterpiece screenplays that he wrote, include “The Invisible Man Returns” (1940), “The Invisible Woman” (1940), “Invisible Agent” (1942), “Frankenstein Meets the Wolf Man” (1943), “Son of Dracula” (1943), “House of Frankenstein” (1944) and “Curucu, Beast of the Amazon” (1956).  Siodmak also worote the screenplay for Edward L. Cahn’s classic mammoth Columbia Pictures sci-fi masterpiece production of “Creature with the Atom Brain” (1955) with Richard Denning, Angela Stevens, S. John Launer, Michael Granger, Karl “the Killer” Davis, Gregory Gaye and Linda Bennett.

Elements of Siodmak’s screenplay for the 1942 classic mammoth Universal wartime sci-fi masterpiece production of “Invisible Agent” were partially inspired by H.G. Wells’ 1897 literary work of “The Invisible Man.”

“Invisible Agent” (1942) was produced for Universal by Frank Lloyd’s production firm, Frank Lloyd Productions, Inc.; according to the original 1942 Universal theatrical release trailer.  This was one of the few instances that a Universal sci-fi/monster/creature feature film masterpiece production was produced by a producer’s production firm for the studio at the time.

Edwin L. Marin’s classic mammoth Universal wartime/sci-fi masterpiece production of “Invisible Agent” (1942) marked the fourth entry in the studio’s “Invisible” feature film series, according to film historian Rudy Behlmer’s findings in the Universal supplemental featurette on the studio’s classic mammoth “Invisible” feature film masterpiece productions; “Now You See Him: The ‘Invisible Man’ Revealed!” (2000).    This was due to to the successes of James Whale‘s earlier classic mammoth Universal monster/sci-fi masterpiece adaptation of “The Invisible Man” (1933) with Claude Rains, Gloria Stuart and Una O’Connor; Joe May‘s classic mammoth Universal “Invisible Man” monster/sci-fi sequel masterpiece production of “The Invisible Man Returns” (1940) with Vincent Price, Nan Grey and a pre-“Batman” Alan Napier, Cecil Kellaway and A. Edward Sutherland‘s classic mammoth Universal “Invisible” comedy masterpiece production of “The Invisible Woman” (1940) with Virginia Bruce, John Barrymore, Margaret Hamilton (of 1939’s “The Wizard of Oz” fame), Shemp Howard (later of “The Three Stooges” fame), Charles Lane, Oskar Homolka and Charlie Ruggles.   

This will mark Sven’s fourth big broadcast of Marin’s classic mammoth 1942 Universal wartime sci-fi masterpiece production in the Universal “Invisible” series on the airlanes of Me-TV.  He previously showcased “Invisible Agent” (1942) as a coast-to-coast big broadcast premiere back in March 2015 and as regular Me-TV big broadcasts back in July 2016 and back in Dec. 2022. 

In his home area of Berwyn/Chicago, Sven/Rich Koz previously showcased “Invisible Agent” (1942) as a Berwyn/Chicago big broadcast premiere during his days as the “Son of Svengoolie” on WFLD back in May 1980; when the station was owned by the Marshall Field family’s Field Enterprises/Field Communications and as a Son of Sven/WFLD big broadcast back in Oct. 1983 when WFLD was part of Metromedia, according to IMDB.

Who was in Edwin L. Marin’s classic mammoth Universal wartime sci-fi masterpiece production of “Invisible Agent” (1942)?

The players who appeared in Edwin L. Marin’s classic mammoth Universal wartime sci-fi masterpiece production of “Invisible Agent” (1942) were Jon Hall (as Frank Raymond), Ilona Massey (as Maria Sorenson), Peter Lorre (as Baron Ikito), Sir Cedric Hardwicke  (as Conrad Stauffer), Keye Luke (as a surgeon), Holmes Herbert (as Sir Alfred Spencer), J. Edward Bromberg (as Karl Heiser), Albert Bassermann (as Arnold Schmidt), John Litel (as John Gardiner), Bobbie Hale  and Wallace Scott (in uncredited roles as British soldiers, a.k.a. “English Tommies”), John Burton (in an uncredited role as a Royal Air Force/RAF flier), James Craven (in an uncredited role as a ship’s radio operator), Leslie Denison (in an uncredited role as a British radio operator), Alberto Morin (in an uncredited role as a free Frenchman), Walter Tetley (in an uncredited role as a newsboy John Holland (in an uncredited role as Spencer’s secretary), Milburn Stone (in an uncredited role as a German sergeant), Sven Hugo Borg (in an uncredited role as a German captain) and Mabel Colcord (in an uncredited role as Gretl).

“Svengoolie” presents his big broadcast of Ishirô Honda’s “Destroy All Monsters” (1968), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be jumping dancing for joy for his upcoming big broadcast of a classic mammoth kaiju creature masterpiece from Japan’s Toho Studios.

“Svengoolie” presents his big broadcast of “Destroy All Monsters” (1968/69)

Original 1968 Toho Studios theatrical trailer for the theatrical release of Ishirô Honda‘s “Destroy All Monsters” in Japan.

Original 1968 Toho Studios theatrical release poster art for “Destroy All Monsters” in Japan.

The legendary and iconic Berwyn/Chicago-based classic mammoth creature film masterpiece host will present his big broadcast of “Destroy All Monsters” (1968/69), this Sat., June 27 at 8 p.m. Eastern/7 p.m. Central on the airlanes of Me-TV.

The classic mammoth 1968 Toho Studios kaiju creature battle masterpiece production of “Destroy All Monsters” was co-directed by veteran Toho Studios feature film director and the father of kaiju creature cinema, Ishirô Honda and veteran Toho Studios feature film director Jun Fukuda.

Honda’s best-known productions throughout his feature film directorial career include his classic mammoth Toho Studios pioneering kaiju creature masterpiece production of “Gojira”/”Godzilla” (1954, released in the United States under the title of “Godzilla, King of the Monsters!” with additional scenes directed by Terry O. Morse that featured Raymond Burr of TV’s “Perry Mason” fame), “Rodan“ (1956), “Mothra” (1961, released through Columbia Pictures in the United States), “King Kong vs. Godzilla” (1963, released through Universal Studios in the United States), “Mothra vs. Godzilla” (1964 released in the United States under the title of “Godzilla vs. the Thing”), “Ghidorah, the Three-Headed Monster” (1964), “The War of the Gargantuas” (1966), “All Monsters Attack” (1969, released theatrically in the United States under the title of “Godzilla’s Revenge”) and “Terror of Mechagodzilla” (1975).

Alongside his numerous classic mammoth Toho Studios kaiju creature cinema masterpiece productions throughout the majority of his filmmaking career, Honda also specialized in several classic mammoth sci-fi feature film masterpiece productions for Toho Studios included “The H-Man” (1958) and “Battle in Outer Space” (1959). Honda’s Toho productions of “The H-Man,” “Battle in Outer Space” and “Mothra” were released theatrically in the United States through Columbia Pictures by arrangement with Toho Studios. Columbia/Sony still owns the North American theatrical re-issue, television syndication and home entertainment/physical media/streaming distribution rights to Honda’s classic mammoth Toho Studios feature masterpiece productions of “The H-Man,” “Battle in Outer Space” and “Mothra.”

Jun Fukuda previously directed the classic mammoth Toho Studios action-adventure spy comedy masterpiece production of “Ironfinger” (1965) with Akira Takarada, Mie Hama and Ichirô Arishima; which was Toho Studios’ answer to the classic mammoth Guy Hamilton/Eon Productions/United Artists “James Bond”/”007” action-adventure spy masterpiece production of “Goldfinger” (1964) with Sean Connery. 

Fukuda’s first kaiju creature production was his classic mammoth Toho Studios kaiju creature battle masterpiece production of “Ebirah, Horror of the Deep” (1966).  His other classic mammoth Toho Studios kaiju creature masterpiece productions include “Son of Godzilla” (1967, released in the United States through the now-defunct New York/New Jersey-based theater/cinema circuit, the Walter Reade Organization and their Continental Releasing subsidiary), “Godzilla vs. Gigan” (1972), “Godzilla vs. Megalon” (1973), “Godzilla vs. Mechagodzilla” (1974) and “Terror of Mechagodzilla” (1975).

The original screenplay for the classic mammoth Honda-Fukuda production of “Destroy All Monsters” (1968) for Toho Studios was co-written by Honda, along with veteran screenwriter Takeshi Kimura;  who received screen credit under the pseudonym of Kaoru Mabuchi.

Veteran producer Tomoyuki Tanaka produced the original Toho Studios theatrical release edition of Honda’s classic mammoth 1968 kaiju creature masterpiece production of “Destroy All Monsters” in Japan.  Tanaka helped supervise many of the classic mammoth Toho Studios “Gojira”/”Godzilla” kaiju creature feature masterpiece productions for the majority of his feature film producing career; dating back to Honda’s original classic mammoth 1954 Toho Studios “Gojira”/”Godzilla” kaiju creature masterpiece production and concluding with Tako Okawara‘s modern classic mammoth Toho Studios “Gojira”/”Godzilla” kajiu creature masterpiece production of “Godzilla vs. Destoroyah” (1995, the North American theatrical dub release was later handled through Columbia Pictures/Sony’s TriStar Pictures imprint).  Alongside Honda, it was noted that Tanaka was the other pioneer of Toho Studios’ classic mammoth kaiju creature masterpiece productions, notably for the studio’s classic mammoth “Gojira”/”Godzilla” kaiju feature film masterpiece productions.

Samuel Z. Arkoff and James H. Nicholson.

The U.S. dubbed edition of Ishiro Honda’s classic mammoth 1968 Toho Studios kaiju creature battle masterpiece production of “Destroy All Monsters” was handled by  Samuel Z. Arkoff and James H. Nicholson’s American-International Pictures.  Both Arkoff and Nicholson established American-International as the American Releasing Corporation in 1954, according to the Samuel Z. Arkoff papers collection housed at Loyola Marymount University in Los Angeles, California.   Arkoff later sold American-International to television and feature film production-syndication company Filmways in 1979, which was later acquired by Orion Pictures in 1982.  Orion, along with the majority of the American-International (AIP)/Filmways holdings were then sold to the present incarnation of Metro-Goldwyn-Mayer (MGM) in 1997.  Following MGM’s re-introduction of the “Orion Pictures” name for current feature films and current television productions, the modern incarnation of MGM recently revived the “American-International Pictures” name for select theatrical releases/feature film productions.

Alongside “Destroy All Monsters” (1968), Arkoff and Nicholson’s American-International Pictures also handled the North American theatrical dub releases of the classic mammoth Toho Studios kaiju creature battle masterpiece, “Mothra vs. Godzilla” (1964, released under the title of “Godzilla vs. the ‘Thing’”) and Yoshimitsu Banno’s classic mammoth Toho Studios “Gojira”/”Godzilla” kaiju creature masterpiece installment, “Godzilla vs. Hedorah” (1971, released in 1972 by American-International under the title of “Godzilla vs. the Smog Monster”).

According to additional details from Rob Craig’s retrospective book on Arkoff and Nicholson’s American-International Pictures, “A Comprehensive Guide to American-International Pictures;” it was reported that the North American theatrical dub/theatrical release of Ishiro Honda’s classic mammoth Toho Studios kaiju creature masterpiece production of “Destroy All Monsters” (1968) was released in several markets as a double-feature presentation with another production.   The second feature in the twinset was the American-International dub of Giuseppe Colizzi‘s Italian “Spaghetti Western” production of “God Forgives.. I Don’t” (1967/68) with Terence Hill, Bud Spencer and Frank Wolff.

This will mark Sven’s third big broadcast of the U.S. dub of Ishiro Honda’s classic mammoth Toho Studios kaiju battle masterpiece production of “Destroy All Monsters” (1968) on the airlanes of Me-TV. He previously showcased the dubbed edition of Honda’s classic mammoth Toho Studios kaiju creature battle masterpiece production as a coast-to-coast big broadcast premiere back in April 2023 and as a regular Sven big broadcast back in May 2024.

In Sven/Rich’s home area of Berwyn/Chicago, Illinois; he previous showcased the American-International edition of Honda’s classic mammoth Toho Studios kaiju masterpiece production of “Destroy All Monsters” during his WFLD/32 days as the “Son of Svengoolie” as a Berwyn/Chicago big broadcast premiere back in Sept. 1981 back when WFLD was part of the Marshall Field family and their Field Enterprises/Field Communications holdings, according to IMDB.

Who was in the Toho Studios kaiju creature masterpiece production of “Destroy All Monsters” (1968)?

The players who appeared in Ishirō Honda’s classic mammoth Toho Studios kaiju creature battle masterpiece production of “Destroy All Monsters” (1968) were veteran Toho Studios stunt performer/kaiju creature suit stunt performer Haruo Nakajima (in the dual kaiju creature roles of Gojira/Godzilla and Baragon and in a human role as one of the Military Advisors), veteran stunt performer Teruo Nigaki (as Rodan), veteran stunt performer Yû Sekita (in the dual kaiju creature roles of Anguirus and Gorosaurus and in a human role as one of the medical doctors), veteran stunt performer Masao “Little Man” Machan Fukazawa (as Minya/Manilla), veteran stunt performer Susumu Utsumi (as King Ghidorah), Kenji Sahara (as Commander Nishikawa), Akira Kubo (as SY-3 Capt. Katsuo Yamabe), Jun Tazaki (as Dr. Yoshido), Yukiko Kobayashi (as Kyoko Manabe), Yoshio Tsuchiya (as Dr. Otani), Kyôko Ai (as the Kilaak Queen), Andrew Hughes (as Dr. Stevenson), Chôtarô Tôgin (as Ogata), Yoshifumi Tajima (as a General), Hisaya Itô (as Maj. Tada), Yoshio Katsube (as a young scientist), Heihachirô Ôkawa (as an engineer), Ikio Sawamura (as an elderly farmer), Saburô Iketani (as a news anchor/presenter), Wataru Ômae (as an SY-3 astronaut), Yutaka Sada (as a police officer), Atsuko Takahashi, Rei Maki, Yoshio Miyata, Ari Sagawa, Kôko Mori, Midori Uchiyama, Wakako Tanabe and Michiko Ishii (as Kilaaks); Kazuo Suzuki, Tôru Ibuki, Susumu Kurobe and Minoru Itô (as Kilaak-controlled officers).

“Svengoolie” presents his big broadcast of “The Time of their Lives” (1946) with Bud Abbott & Lou Costello; this Sat. on Me-TV

Fellow Super Svengoolie SvenPals everywhere will be dancing and jumping for joy for his upcoming big broadcast of a classic mammoth Universal Studios supernatural comedy masterpiece with the studio’s legendary and iconic comedic duo.

“Svengoolie” presents his big broadcast of “The Time of their Lives” (1946) with Bud Abbott & Lou Costello

Original 1946 Universal Studios theatrical release trailer for “The Time of Their Lives” (1946) with Bud Abbott, Lou Costello and Marjorie Reynolds. Sidebar: This was one of the few Universal productions from the 1940s to have a complete surviving theatrical trailer that was not edited/spliced up (notably for the Realart theatrical re-issues). In case you look closely near the tail end of the trailer, you’ll see the logo for Universal’s rival, Columbia Pictures and their Screen Gems TV syndication/production subsidiary with the 1955 Screen Gems TV variant of the famous Columbia Pictures “woman holding the torch” logo. When the  TV rights to the majority of the pre-1948 Universal features were originally leased by Universal to rival studio Columbia Pictures’ “Screen Gems” TV unit in 1957, Barton’s classic mammoth 1946 Universal “Abbott & Costello” ghoul comedy masterpiece was not featured in the famous “Shock!” syndication package (consisting of the top classic mammoth Universal monster features) and “Son of Shock!” syndication packages (consisting of both Columbia and Universal classic mammoth monster/horror/sci-fi masterpieces); it was most likely that “The Times of their Lives” (1946) was featured in Columbia/Screen Gems’ “The Sweet 65” syndication package (which featured 1941’s “Buck Privates” with Abbott and Costello) or “Triple Crown” syndication package (both packages featured both select pre-1948 Columbia and Universal features);  MCA/Universal re-obtained the television syndication rights to the pre-1948 Universal sound features beginning in 1971 after Columbia/Screen Gems’ TV leasing rights to the pre-1948 Universal sound feature film catalogue for local TV stations expired. -C.H.

“Something new from Bud & Lou!” Original 1946 Universal Studios theatrical poster art for “The Time of their Lives” with Bud Abbott & Lou Costello.

The legendary and iconic Berwyn/Chicago-based classic mammoth fantasy/comedy feature masterpiece host will present his big broadcast of “The Time of Their Lives” (1946) this Sven Sat. evening, June 20 on the airlanes of Me-TV at 8 p.m. Eastern/7 p.m. Central.

The classic mammoth 1946 Abbott & Costello Universal ghoul/supernatural comedy masterpiece was directed by veteran Abbott & Costello feature film director Charles T. Barton. Alongside “The Time of their Lives” (1946), some of Barton’s best-known classic mammoth Universal “Abbott & Costello” comedy feature film masterpieces also included “Buck Privates Come Home” (1947; which was the sequel to Arthur Lubin’s earlier classic mammoth 1941 Universal wartime comedy masterpiece with Abbott and Costello and The Andrews Sisters, “Buck Privates”) and “The Wistful Widow of Wagon Gap” (1947, featuring Marjorie Main of Universal’s classic mammoth “Ma and Pa Kettle” feature film comedy masterpiece productions).

One of Barton’s biggest successes with Abbott & Costello was his classic mammoth Universal monster/comedy masterpiece, “Abbott and Costello Meet Frankenstein” (1948) with silver screen horror legends Glenn Strange, Bela Lugosi, Lon Chaney Jr. and Vincent Price; alongside Lenore Aubert, Jane Randolph,  Charles Bradstreet, Frank Ferguson and Harry Brown.

Barton later directed the classic mammoth Universal Abbott & Costello horror/comedy masterpiece production of “Abbott & Costello Meet the Killer, Boris Karloff” (1949) with silver screen horror legend Boris Karloff, along with Aubert, Gar Moore, Donna Martell, Alan Mowbray, Roland Winters and young Billy Gray (later of 1951’s “The Day the Earth Stood Still” fame and of TV’s “Father Knows Best” fame).

Later in his feature film and television directorial career, Barton later directed one episode of the classic mammoth Universal Studios “Munsters” monster comedy masterpiece series with Fred Gwynne, Yvonne De Carlo, Al Lewis, Pat Priest and Butch Patrick, “The Munsters;” “Love Locked Out” in 1965.   Earlier in his feature film directing career and alongside directing most of his productions at Universal, Barton also directed the Columbia Pictures “Five Little Peppers” feature film adaptation series, from 1939-40 and the classic mammoth Columbia Pictures musical comedy masterpiece with bandleader Ted Lewis, Nan Wynn, Michael Duane, Larry Parks and of interest of fellow wonderful friends/Super Tooners/Super SvenPals of Toony & Bill’s “Toon In With Me”/Super readers of “Silver Screen Reflections;” veteran cartoon voice-over artist Billy Bletcher, “Is Everybody Happy?” (1943).

Barton’s classic mammoth 1946 Universal/Abbott & Costello ghoul comedy masterpiece production of “The Time of their Lives” was produced by veteran songwriter/screenwriter Val Burton and veteran Universal Studios feature film music composer/supervisor Joseph Gershenson.

Alongside his numerous music compositions and screenplays throughout his career, Burton wrote the screenplay treatments for the classic mammoth comedy feature film adaptation masterpieces of radio’s “The Aldrich Family”/”Henry Aldrich” series from 1941-44; which was produced and released by the original incarnation of P***mount Pictures (1912-66). Five years after the original theatrical release of “The Time of their Lives” (1946), Burton also served as one of the screenwriters for Frederick “Freddy” De Cordova (long before De Cordova became the producer/executive producer of Johnny Carson’s NBC “Tonight Show”)’s Universal production of “Bedtime for Bonzo” (1951) with Ronald Reagan (long before Reagan entered politics), Diana Lynn, Walter Slezak, Lucille Barkley, Jesse White (before going onto greater fame as the original “Maytag Man” in television commercials for Maytag Appliances), Herb Vigran, young Tommy Bond and “Bonzo.”

Gershenson supervised the source orchestral music soundtrack scores for Jack Arnold’s classic Universal mammoth monster masterpiece with Julie Adams, Ricou Browning, Ben Chapman, Richard Carlson, Richard Denning, Nestor Paiva and Whit Bissell, “Creature From the Black Lagoon” (1954) and for Orson Welles’ classic mammoth Universal film noir-drama masterpiece adaptation of Whit Masterson’s “Badge of Evil;” “Touch of Evil” (1958) with Janet Leigh, Welles, Charlton Heston, Joanna Moore, young Dennis Weaver and Ray Collins (of TV’s “Perry Mason” fame). Gershenson also produced Edward Dein’s classic mammoth Universal monster/vampire western masterpiece, “Curse of the Undead” (1959) with Eric Fleming, Michael Pate, Kathleen Crowley, John Hoyt, Bruce Gordon, Edward Binns, Jimmy Murphy, Helen Kleeb, Jay Adler, Henry Darrow, Eddie Parker, John Truax, Frankie Van and Rush Williams.

Alongside Burton’s contributions to the screenplay, the screenplay for Barton’s classic mammoth 1946 Universal production of “The Time of their Lives” was written by veteran screenwriters Walter DeLeon and Bradford Ropes; along with additional dialogue by veteran screenwriter John Grant. The 1946 Abbott & Costello Universal production was loosely adapted from John Cecil Holm‘s stage play, “Gramercy Ghost.”

This will mark Svengoolie’s third big broadcast of “The Time of their Lives” (1946) on the airlanes of Me-TV. He previously showcased Barton’s classic mammoth 1946 Universal/Abbott & Costello supernatural comedy masterpiece production as a coast-to-coast big broadcast premiere back in March 2016 and as a regular Sven/Me-TV big broadcast back in July 2017.

Who was in Charles T. Barton’s classic mammoth Universal/Abbott & Costello supernatural comedy masterpiece production of “The Time of their Lives” (1946)?

The players who appeared in Charles T. Barton’s classic mammoth Universal/Abbott & Costello supernatural comedy masterpiece production of “The Time of their Lives” (1946) were Bud Abbott (in the dual roles of Cuthbert Greenway and Dr. Ralph Greenway), Lou Costello (as Horatio Prim), Marjorie Reynolds (as Melody Allen), Binnie Barnes (as Mildred Dean), John Shelton (as Sheldon Gage), Gale Sondergaard (as Emily), Jess Barker (as Thomas Danbury), Lynn Baggett (as June Prescott), Robert H. Barrat (as Maj. Putnam), William Hall (as Sgt. Conners), Ann Gillis (as Nora O’ Leary), Donald MacBride (as Lt. Mason), Kirk Alyn, John Crawford, Myron Healey and Scott Thompson (in uncredited roles as party attendee guests).

Read more: “Svengoolie” presents his big broadcast of “The Time of their Lives” (1946) with Bud Abbott & Lou Costello; this Sat. on Me-TV

The same year that “The Time of their Lives” (1946) was produced and released, the legendary and iconic comedic duo also appeared in William A. Seiter‘s classic mammoth Universal comedy masterpiece, “Little Giant” (1946) with Brenda Joyce, Jacqueline deWit, George Cleveland, Margaret Dumont (who previously appeared in seven of The Marx Brothers’ classic mammoth feature film comedy masterpieces from 1929–41) and the uncredited vocal stylings of a pre-“Gunsmoke” Milburn Stone.

Alongside her numerous feature film appearances throughout her acting career, Marjorie Reynolds appeared with silver screen horror legend Boris Karloff in William Nigh‘s classic mammoth mystery masterpiece, “The Fatal Hour” (1940) with Grant Withers, Charles Trowbridge, Frank Puglia, Craig Reynolds, Lita Chevret and Jason Robards Sr.

In addition to “The Time of their Lives” (1946), one of Reynolds’ best-known appearances in her acting career was in Irving Berlin and Mark Sandrich‘s classic mammoth holiday/musical masterpiece feature produced and released by the original incarnation of P***mount Pictures*, “Holiday Inn” (1942) with Bing Crosby (the film was known for introducing audiences to Crosby’s classic mammoth 1942 holiday masterpiece recording of Berlin’s “White Christmas” that later inspired the classic mammoth 1954 musical feature film masterpiece of the same name), Fred Astaire, Louise Beavers, Walter Abel, Virginia Dale and Irving Bacon.

The same year that Reynolds was in “The Time of their Lives,” she appeared in the role as Princess Maria of Spain in George Marshall‘s classic mammoth comedy masterpiece adaptation that was produced and released by the original incarnation of P***mount Pictures*, “Monsieur Beaucaire” (1946) with Bob Hope, Joan Caulfield, Cecil Kellaway, Reginald Owen and young Alan Hale Jr. (later of TV’s “Gilligan’s Island” fame).

Gale Sondergaard previously appeared in Elliot Nugent’s classic mammoth mystery/comedy masterpiece adaptation of “The Cat and the Canary” (1939) with Bob Hope, Paulette Goddard, George Zucco and Charles Lane and in Albert S. Rogell’s classic mammoth Universal mystery/comedy masterpiece adaptation production of “The Black Cat” (1941) with Basil Rathbone, Bela Lugosi, Gale Sondergaard, Alan Ladd, Anne Gwynne, Hugh Herbert, Broderick Crawford, Gladys Cooper, Cecilia Loftus, Claire Dodd, John Eldredge, Erville Alderson, Harry C. Bradley, Edgar Sherrod and Jack Cheatham.

“The Time of their Lives” (1946): A departure from the usual Abbott & Costello feature film comedy

Original 1946 Universal Studios tinted lobby card for “The Time of Their Lives” with Bud Abbott, Lou Costello & Marjorie Reynolds.

Charles Barton’s classic mammoth 1946 Universal Abbott & Costello feature comedy masterpiece production of “The Time of their Lives” marked a departure from the usual Abbott & Costello feature film comedy. According to Paul Tatara’s 2004 Turner Classic Movies online article on “The Time of their Lives,” both Bud Abbott & Lou Costello barely spoke to each other during their characterizations in Barton’s production. It was reported that this also occurred for their characters in William Seiter’s classic mammoth Universal Abbott & Costello comedy masterpiece production of “Little Giant” that same year.

Barton later recalled that Lou Costello considered switching parts with Bud Abbott; as Costello felt that Abbott was getting more filmed segments than he. However, Costello later scrapped the request.

“The Time of their Lives” (1946): One of Universal’s costliest Abbott & Costello productions at the time

Original 1946 Universal Studios publicity photo/lobby card of Lou Costello and Marjorie Reynolds in “The Time of their Lives.”

According to additional details from Tatara’s 2004 TCM article, it was reported that Charles Barton’s classic mammoth Universal Abbott & Costello supernatural comedy masterpiece production of “The Time of their Lives” was one of the studio’s costliest Abbott & Costello feature film productions at the time. This was mostly due in part to the extensive visual and special effects work for the 1946 production, which was perfected by veteran Universal Studios cinematographers David S. Horsley, Jerome Ash and Charles Van Enger. It was reported that over $2,000 was spent for test shots, while $1,500 was spent to perfect “floating” object sequences with the use of specialized wires.

For Marjorie Reynolds’ “ghost” sequences, her hair had to be dyed due to the special effects footage. Make-up effects for “The Time of their Lives” (1946) were perfected by veteran Universal Studios make-up artist Jack Pierce and for Reynolds’ special effects/visual effects sequences, studio hair stylist Carmen Dirigo.

An Abbott & Costello tie-in for the original Universal theatrical release of “The Time of their Lives” (1946) in Buffalo, New York

Latter Realart (ca. early 1950s) tinted lobby card for the theatrical re-release of Charles Barton’s classic mammoth Universal ghoul comedy masterpiece with Bud Abbott & Lou Costello, “The Time of their Lives” (1946).

There was a unique tie-in for the original Universal theatrical release of “The Time of their Lives” (1946) in Buffalo, New York. According to the Sept. 1946 edition of Motion Picture Herald, Bud Abbott and Lou Costello made a special guest appearance in-person for an American Legion benefit show for the local/regional American Legion chapter. That same evening, the now-defunct Lafayette Theatre in Buffalo showcased “The Time of their Lives” (1946). The brainchild of Layfayette theater manager George H. MacKenna and Universal Studios publicity official Bill Brereton, the two decided to screen “The Time of their Lives” while Bud and Lou were in Buffalo that evening as one of many headliners for the American Legion benefit show.

It was also reported that a surplus wartime Jeep was rented by Universal and the management of the Lafayette Theatre to be utilized in the Buffalo American Legion parade and was outfitted/customized with Bud Abbott and Lou Costello standees and banners for the Lafayette’s showing of “The Time of their Lives.”

“The Time of their Lives” (1946): Showcased at a historic theater near the home office/home headquarters of “Silver Screen Reflections”

“They’re ‘turning the tables’ in the merriest mess of mirth and mischief that ever kept you roaring!” Original 1946 Universal Studios newspaper advertisement for Abbott & Costello in “The Times of their Lives;” published in The News (Frederick News-Post) for the Tivoli Theater’s Oct. 1946 screening (today’s Weinberg Center for the Arts) in Frederick, Maryland.

During the original Universal Studios theatrical release of “The Time of their Lives” (1946), Charles Barton’s classic mammoth 1946 Universal Abbott & Costello comedy masterpiece was showcased at a historic theater near the home office/home headquarters of “Silver Screen Reflections.” According to an original advertisement that was published in the Oct. 1946 edition of The News (News-Post), “The Time of their Lives” (1946) was showcased at the historic Tivoli Theater (today’s Weinberg Center for the Arts) in downtown Frederick, Maryland.

The older Weinberg Center Marquee in Frederick, Maryland with a mention of Trace Beaulieu and Frank Conniff’s “The Mads!” live movie riffing showcase (from Nov. 2017)!

Built in 1926 by the Stanley Corporation of America, the Tivoli and the two other downtown Frederick theaters were acquired by rival studio Warner Bros. (as part of the Stanley circuit’s installation of Warners’ pioneering “Vitaphone” sound-on-disc motion picture sound system process in their theaters).  Alongside the Tivoli, Warner Bros. also owned the now-defunct City Opera House (today’s Brewer’s Alley Restaurant) and the now-defunct Frederick Theatre until the 1948 studio consent decree. Warners spun off and/or sold off their theater holdings in the early 1950s.  After a brief ownership by the successors of the former Warner Bros.-owned theaters; Fabian Enterprises’ Stanley-Warner Theatres, the Tivoli; along with the City Opera House and the Frederick Theatre were later sold to the Weinberg family.    The Weinbergs later established the now-defunct Holiday Cinema (today, an Easterns Motors used car dealership) on Frederick’s “Golden Mile”/Route 40 in 1969.  The Weinberg family later leased the management of the Tivoli and their remaining Frederick-area cinema & drive-in operations to Reisterstown’s R/C Theatres group in 1972.

After the 1976 Carroll Creek flood, which affected the Tivoli and the theater’s historic Wurlitzer organ; the theater was later donated as a gift to the City of Frederick (Maryland) and was renovated and renamed as the Weinberg Center for the Arts in 1978 with the restored Wurlitzer organ. Additional renovations took place around 2011.   An upgraded marquee for the Weinberg Center was installed in 2023, along with additional interior upgrades to the Tivoli/Weinberg performing venue.

Be sure to watch Svengoolie’s big broadcast of Bud Abbott & Lou Costello in “The Time of their Lives” (1946), this Sven Sat. on the airlanes of Me-TV!

Original 1946 Universal Studios horizontal poster art for “The Time of their Lives” (1946) with Bud Abbott, Lou Costello & Marjorie Reynolds.

Berwyn’s finest! Svengoolie (portrayed by Rich Koz), Kerwyn and all fellow wonderful friends/Super SvenPals/Super Tooners/Super readers of “Silver Screen Reflections” everywhere are all jumping for joy for Sven’s upcoming big broadcast of Charles Barton‘s classic mammoth Universal ghoul comedy masterpiece, “The Time of their Lives” (1946) with Bud Abbott, Lou Costello, Marjorie Reynolds, Binnie Barnes, John Shelton, Gale Sondergaard, Jess Barker, Lynn Baggett, Robert H. Barrat, William Hall, Ann Gillis, Donald MacBride, Kirk Alyn, John Crawford, Myron Healey and Scott Thompson; this Sven Sat. evening on the airlanes of Me-TV!

With Bud Abbott, Lou Costello, Marjorie Reynolds, Binnie Barnes, John Shelton, Gale Sondergaard, Jess Barker, Lynn Baggett, Robert H. Barrat, William Hall, Ann Gillis, Donald MacBride, Kirk Alyn, John Crawford, Myron Healey and Scott Thompson; you will not want to miss out on Svengoolie’s upcoming big broadcast of Charles Barton’s classic mammoth Universal ghoul comedy masterpiece, “The Time of their Lives” (1946); this Sven Sat. evening on the airlanes of Me-TV! Escape from stress and anxiety with the magic of Sven’s wonderful Sat. evening big broadcasts with Sven’s extensive fun facts, maestro Sven and maestro Doug Graves’ evening parody song, Sven and Kerwyn’s “mail call” segment, Sven surprises, classic Sven moments and much, much more! You will not be disappointed! Highly recommended to all fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections”/Super aficionados of classic mammoth Universal and Abbott & Costello feature film comedy masterpieces everywhere!

*As part of MCA (Music Corporation of America)‘s 1958 acquisition of the majority of pre-1948 P***mount sound feature film library for television syndication and theatrical re-issue rights (known as the MCA/“EMKA, Ltd.” holdings, which led to MCA’s 1962 purchase of U.S. Decca Records and along with Decca, Universal Studios; as the MCA/EMKA, Ltd./pre-1948 P***mount sound feature film holdings were incorporated into Universal’s film library after MCA’s acquisition of U.S. Decca/Universal). -C.H.

Good News, fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections!” Yours truly will be returning to the Sven airlanes, since my Father and I decided to purchase a value-priced internet package and we have official streaming of Me-TV! Again, we truly & highly appreciate everyone’s advice, help, concerns and for reaching out to us. I’m very blessed that you all are our many fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections” with true Hearts of Gold! I missed you all on the internet airlanes and the Sven live-posting airlanes and I’m hoping all airlanes will be fully there for Sven’s upcoming big broadcast of Abbott & Costello in “The Time of their Lives” (1946)! -C.H.

“Silver Screen Reflections” remembers three legendary and iconic persons that we lost recently. Remembering NBC-TV “Today Show” entertainment & film critic/correspondent Gene Shalit (1926-2026), actor/comedian Tom Dreesen (1939-2026) and TV series director James Burrows (1940-2026). #RIPLegends

“Svengoolie” presents his big broadcast of “The Time of their Lives” (1946) with Bud Abbott & Lou Costello

Sven Sat., June 20 at 8 p.m. Eastern/7 p.m. Central on the airlanes of Me-TV (check for station/platform availability)

Again, my Father and I truly and highly appreciate everyone’s continued prayers, well-wishes, wisdom and for reaching out to us in connection to my Father’s health.  Please continue praying hard for us. -C.H.

Please continue praying hard for us. -C.H.

In the words of Sven’s executive producer, Jim Roche: “#KeepCalmAndWatchSven!”

With the scary, chaotic and stressful news that is going on and just like many, there are days that my Father and I feel absolutely worried, sad, scared, angered and outraged.   To anyone who is reading this- in case you are in search of a good friend to talk to and/or to cry on a shoulder, you all are more than welcome to converse with me.  

And as I’ve mentioned many times before, curse those evil, disgusting, dangerous disgraceful, putrid sleazebag/scumbag wackadoodle tyrannical turdballs known as the evil orange cretin & his evil, disgusting, dangerous disgraceful, putrid sleazebag/scumbag wackadoodle tyrannical turdball henchmen known as M**krat, V*nce, J***son, Th*ne, Brainworm/Ratfink K**nedy Jr., C*rr, N**m, B****o, the Ell*s*ns, their corrupt G*P enablers, their corrupt Supreme Court cronies/henchmen, their corrupt techbro nepobillionaire henchmen/cronies & their ilk along with their evil desire for censorship.    And curse the evil, corrupt and dumb turdball wankers on the Frederick County (Maryland) Council who blindly voted to allow Data Centers in the county. As I’ve mentioned many, many times before, may all those dumb, evil wankers severely Rot in Hell.

These are dangerous and stressful times.  As you all have heard the recent terrible and tragic news, I stand with the people with Minneapolis, Minnesota.  And again, I stand with the city of Chicago, Illinois and all my fellow wonderful friends/Super SvenPals/Super Tooners/Super MSTies/Super classic film & TV aficionados/Super readers of “Silver Screen Reflections” throughout Chicago and beyond.  I also stand with the town of Portland, Oregon and all my fellow wonderful friends/Super SvenPals/Super Tooners/Super MSTies/Super classic film & TV aficionados/Super readers of “Silver Screen Reflections” everywhere.  In case you all need a good friend to talk to, I’m here. Stay strong.

And again, as I’ve mentioned many times before, curse the evil, stupid, putrid, Minwax orange-stained disgrace and his evil, stupid putrid ilk. As I’ve mentioned many, many times, may all those dumb, putrid, stupid, evil wankers severely Rot in Hell.  They all need to be ousted from office.

#Resist

#ReleaseTheCompleteUneditedEpsteinFiles

#HandsOffDC/#FreeDC

#HandsOffUnionStation

#HandsOffMinneapolis/#HandsOffMinnesota

#HandsOffChicago

#HandsOffPortland

#HandsOffGreenland

#HandsOffVenezula

#IStandWithDC

#IStandWithChicago

#IStandWithMinneapolis/#IStandWithMinnesota

#IStandWithPortland

#IStandWithStephenColbert

#IStandWithJimmyKimmel

#IStandWithSethMeyers

#HandsOffOfWarnerBros

Now back to good news on “Silver Screen Reflections“ and cameo mentions of fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections!”

Extra! Extra! Extra! For fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections” of Berwyn/Chicago and beyond! The Flashback Weekend Horror-Con will be returning to the Hyatt Regency O’Hare Hotel and Convention Center in Rosemont, Illinois from July 31-Aug. 2, 2026!  And Svengoolie/Rich Koz will be making his return to the 2026 Flashback Weekend Horror-Con with a special “Svengoolie Live!” event on Friday, July 31 (ticket purchases are required for the aforementioned Sven event) and Sven will be emceeing the Sinister Visions Costume Contest on Aug. 1, 2026!  Tickets are now on sale, be sure to purchase your tickets before they sell out and see Sven’s special live show and/or Sven emceeing the Sinister Visions Costume Contest, plus the sights, sounds and events at the 2026 Flashback Weekend Horror-Con in Rosemont, Illinois!  Please follow all Flashback Weekend directions/rules and health precautions. Stay tuned to the official Flashback Weekend site and/or Sven’s official social media posts for additional/extended details in connection to this year’s Flashback Weekend!

Extra! Extra! Extra! On the 47th anniversary of Rich Koz’s Berwyn/Chicago TV big broadcast debut as the “Son of Svengoolie,” fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections” danced and jumped for joy when fellow wonderful friends/Super SvenPals/Super readers of “Silver Screen Reflections” Chris “Mr. C.” Connolly, Nanette Keir & Russ celebrated Sven/Rich’s 47th anniversary by commemorating & recollecting Sven/Rich’s many Berwyn/Chicago appearances throughout the years! Be sure to watch Chris/Mr. C., Nanette & Russ’ “Mr. C. Dives In” commemoration of Sven/Rich’s 47th Anniversary! And stay tuned later this Summer as a familiar face will return as a guest to the wonderful airlanes of Chris/Mr. C.’s “Mr. C. Dives In!”

Forty-Seven Years Ago today/June 16, 1979: Rich Koz made his #Berwyn /Chicago big broadcast TV debut as the "Son of #Svengoolie!"Happy anniversary to @svengoolieofficial.bsky.social! Here's to many more wonderful Sven big broadcasts! Watching since 2013 when Me-TV came into the area!

— Christopher Hamby (@chrishambyfilms.bsky.social) 2026-06-16T21:34:03.177Z

Congratulations to Chris/Mr. C., Nanette & Russ on your wonderful “Mr. C. Dives In” commemoration of Sven/Rich’s 47th anniversary and recollections of Sven’s various appearances over the years! And thank you all for the wonderful shout-out greetings, Chris/Mr. C., Nanette & Russ! I truly & highly appreciate them all! And I’m looking forward to being a guest again on one of your future wonderful “Mr. C. Dives In” big broadcasts, Chris! I truly & highly appreciate this wonderful honor! Very awesome, neat & cool! We’re all dancing/jumping for joy for all of you, Chris/Mr. C., Nanette, Russ & the entire crowd of fellow wonderful friends/Super SvenPals of Sven & Mr. C. Dives In/Super readers of “Silver Screen Reflections” everywhere, Chris/Mr. C., Nanette & Russ! -C.H.

Extra! Extra! Extra! Fellow wonderful friends/Super aficionados of classic mammoth “Looney Tunes” & “Merrie Melodies” animated masterpieces/Super Jammers/Super SvenPals/Super readers of “Silver Screen Reflections”/Super aficionados of the performing arts danced and jumped for joy when fellow wonderful friend/Super aficionado of classic mammoth “Looney Tunes” & “Merrie Melodies” animated masterpieces/Super SvenPals/Super readers of “Silver Screen Reflections”/Super aficionado of the performing arts Jamie Lee’s recent wonderful in-depth article for Film Obsessive was recently published on a brand-new teaser trailer for the much awaited and upcoming theatrical release of “Coyote vs. Acme” (2026) via Ketchup Entertainment this August with a homage to “Avengers vs. Doomsday” (2026)! Be sure to read Jamie’s recent in-depth article!

And be on the lookout for an official announcement from Jamie’s official social media airlanes and/or website soon in connection to an event that will be taking place near the home region of “Silver Screen Reflections!” -C.H.

Congratulations to Jamie on your recent wonderful in-depth article for Film Obsessive on the “Avengers vs. Doomsday”-style theatrical teaser trailer for much-awaited theatrical release of “Coyote vs. Acme” (2026)!  And I’m looking forward to reading/hearing about your upcoming announcement! Very awesome, neat & cool! We’re all dancing/jumping for joy for you, Jamie & the entire crowd of fellow wonderful friends/Super Jammers/Super SvenPals/Super broadcasters/Super DJs/Super aficionados of the performing arts/Super aficionados of the classic mammoth “Looney Tunes” and “Merrie Melodies” cartoon masterpieces/Super readers of “Silver Screen Reflections” everywhere, Jamie! -C.H.

In connection to Abbott & Costello/”The Time of Their Lives” (1946):

1989 MCA Home Video (Universal Pictures Home Entertainment) VHS cover art for Charles Barton’s classic mammoth Universal comedy masterpiece with Bud Abbott & Lou Costello, “The Time of their Lives” (1946).

Charles Barton’s classic mammoth Universal Abbott & Costello comedy masterpiece, “The Time of their Lives” (1946) is also available as part of Universal’s complete classic mammoth Abbott & Costello feature comedy masterpiece anthology box set, “Abbott & Costello: The Complete Universal Pictures Collection” on DVD and Blu-Ray (via Shout! Studios by arrangement with Universal Studios). The classic mammoth 1946 Universal Abbott & Costello comedy masterpiece is also available as part of Universal’s classic mammoth Abbott & Costello feature film masterpiece anthology set series on DVD, “The Best of Bud Abbott & Lou Costello: Vol. 2.”

Questions/Comments about “Svengoolie” and/or his upcoming big broadcast of Abbott & Costello in “The Time of their Lives” (1946)? Drop a line in the comments section!

“Svengoolie” presents his big broadcast of Bert I. Gordon’s “Earth vs. the Spider” (1958), this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will dancing and jumping for joy for his upcoming big broadcast of a classic mammoth American-International Pictures sci-fi/creature masterpiece.

“Svengoolie” presents his big broadcast of Bert I. Gordon’s “Earth vs. the Spider” (1958)

Rare/original 1958 American-International Pictures teaser theatrical release trailer for Bert I. Gordon’s classic mammoth sci-fi/creature masterpiece production of “Earth vs. the Spider” (a.k.a. “The Spider”)*. Unearthed, restored and scanned in High-Definition from a 35mm print via the FTDepot collection of rare/preserved movie trailers and theatrical policy trailers.

“Nothing can stop it!” Original 1958 American-International theatrical poster art for “Earth vs. the Spider” (a.k.a., “The Spider”).

The legendary and iconic Berwyn/Chicago-based classic mammoth sci-fi/creature feature film masterpiece host will present his big broadcast of “Earth vs. the Spider” (1958, a.k.a. “The Spider”)*, this Sat., May 30 at 8 p.m. Eastern/7 p.m. Central on the airlanes of Me-TV.

The 1958 cult classic mammoth American-International sci-fi creature masterpiece was directed by veteran fantasy/special effects/visual effects feature film director Bert I. Gordon.  Gordon was known for his cult classic mammoth “giant” creature feature masterpiece productions throughout the majority of his motion picture career.  Some of Gordon’s best-known cult classic mammoth sci-fi/creature feature film masterpieces include “The Cyclops” (1957) with Duncan ‘Dean’ Parkin , Lon Chaney Jr.,  Gloria Talbott and Tom Drake; “Beginning of the End” (1957) with Peter Graves, Peggie Castle and Morris Ankrum; “The Amazing Colossal Man” (1957)* with Glenn Langan and Cathy Downs; “War of the Colossal Beast” (1958)*, “Attack of the Puppet People” (1958)* with John Agar,, “Tormented” (1960) for Allied Artists with Richard Carlson, “The Magic Sword” (1962) with Basil Rathbone, Anne Helm and Gary Lockwood for United Artists,  “Village of the Giants” (1965) for Joseph E. Levine’s Embassy Pictures with Ron “Ronny” Howard, Freddy “Boom Boom” Cannon, Joy Harmon, Beau Bridges, Tisha Sterling, Johnny Crawford and Tommy Kirk;  “The Food of the Gods” (1976)* with Ida Lupino and “Empire of the Ants” (1977)* with Joan Collins.

The screenplay adaptation of Gordon’s original story treatment for his classic mammoth American-International arachnid creature masterpiece production of “Earth vs. the Spider” (1958, a.k.a. “The Spider”) was written by veteran screenwriters László Görög and George Worthing Yates.  Görög previously wrote the screenplay for Virgil W. Vogel’s classic mammoth Universal Studios sci-fi creature masterpiece production with John Agar, Cynthia Patrick, a pre-“Leave It to Beaver” Hugh Beaumont, Nestor Paiva and a pre-“Batman” Alan Napier; “The Mole People” (1956). Yates previously wrote the original story treatment for Gordon Douglas’ classic Warner Bros. sci-fi creature masterpiece production of “Them!” (1954) with James Whitmore, Joan Weldon, Edmund Gwenn, a pre-“Gunsmoke” James Arness and a pre-“Davy Crockett”/”Daniel Boone” Fess Parker.   Yates also wrote screenplays for the classic Ray Harryhausen/Robert Gordon/Columbia Pictures “Dynamation” stop-motion sci-fi creature masterpiece with Kenneth Tobey, Faith Domergue and Donald Curtis; “It Came From Beneath the Sea” (1955) and the classic Harryhausen/Fred F. Sears/Columbia sci-fi masterpiece production with Hugh Marlowe, Joan Taylor and Curtis; “Earth vs. the Flying Saucers” (1956).

Samuel Z. Arkoff and James H. Nicholson.

*Throughout the majority of his feature film/directorial career, Gordon released his cult classic mammoth “giant” creature/sci-fi masterpiece productions through Samuel Z. Arkoff and James H. Nicholson’s independent distribution/releasing firm, American-International Pictures; both Arkoff and Nicholson established American-International as the American Releasing Corporation in 1954, according to the Samuel Z. Arkoff papers collection housed at Loyola Marymount University in Los Angeles, California.   Arkoff later sold American-International to television and feature film production/syndication company Filmways in 1979, which was later acquired by Orion Pictures in 1982.  Orion, along with the majority of the American-International/Filmways holdings** was then sold to the present incarnation of Metro-Goldwyn-Mayer (MGM) in 1997.  Following MGM’s re-introduction of the “Orion Pictures” moniker, the modern incarnation of MGM briefly recently revived the “American-International Pictures” moniker for certain theatrical releases/feature film productions.

Bert I. Gordon’s classic mammoth 1958 American-International Pictures arachnid/sci-fi/creature masterpiece production was originally filmed under the title of “The Spider.”  According to a Dec. 1991 BBC Television interview with Samuel Z. Arkoff  for the British network’s “Talking Pictures” movie review show, the AIP co-founder noted that in the company’s early years, American-International operated differently than their major competitors when it came to pre-production plans.  Arkoff mentioned that the company came up with the titles of the proposed production (example: “The Spider”) before the creation of the original story/screenplay treatment, along with the choice of cast members, production crew members and the director.  Arkoff later mentioned that American-International co-founder James H. Nicholson was responsible for most of the creation of titles/production ideas for the film distribution firm, according to Eamon Harrington and John Watkin’s retrospective documentary on Arkoff and Nicholson’s distribution firm for the original incarnation of the AMC cable network (back when the channel was known as “American Movie Classics”);  “It Conquered Hollywood! The Story of American International Pictures” (2001).

Arkoff and Nicholson decided to make a last-minute change to the title of “The Spider,”  under the title of “Earth vs. the Spider.”   It was decided by the two to revert the title back to “The Spider,” mostly for publicity/marketing/advertising/theatrical trailer/promotional materials to compete with Kurt Neumann’s classic mammoth Twentieth Century Fox (Twentieth Century Studios) sci-fi creature-fantasy masterpiece, “The Fly” (1958). with David “Al” Hedison (later of Irwin Allen’s classic mammoth 1964-68 Twentieth Century Fox/Twentieth Century Studios TV masterpiece adaptation of “Voyage to the Bottom of the Sea” fame),  Patricia Owens and Vincent Price.

This will mark Svengoolie’s fourth big coast-to-coast broadcast of Bert I. Gordon’s classic mammoth American-International arachnid sci-fi/creature feature masterpiece production of “Earth vs. the Spider” (1958, a.k.a. “The Spider”) on Me-TV.  He previously showcased Gordon’s classic 1958 mammoth arachnid creature/sci-fi masterpiece production as a big broadcast premiere back in Jan. 2021, a regular big Holiday broadcast on Christmas Day of 2021 and a New Year’s Eve big broadcast on Dec. 31, 2022.

Who was in “Earth vs. the Spider” (1958, a.k.a. “The Spider”)?

The players who appeared in Bert I. Gordon’s American-International production of “Earth vs. the Spider” (1958, a.k.a. “The Spider”) were Ed Kemmer (as Prof. Art Kingman), June Kenney (as Carol Flynn), Sally Fraser (as Mrs. Helen Kingman), Eugene “Gene” Persson (as Mike Simpson), Gene Roth (as Sheriff Cagle), Hal Torey (as Mr. Simpson), June Jocelyn (as Mrs. Jack Flynn), Mickey Finn (as Sam Haskel), Troy Patterson (as Joe), Skip Young (as Sam), Howard Wright (as Jake), Bill Giorgio (as Dep. Sheriff Pete Sanders), Hank Patterson (as Hugo), Jack Kosslyn (as Mr. Fraser) and Bob Garnet (as the pest control man).

Memorial Day

From the April 25, 1945 edition of the Cumberland News in Cumberland/Frostburg, Maryland: An obituary on Pfc. Thomas Gall of the 63rd Infantry division of the Seventh Army, who was killed in action in Germany on April 8. Prior to his service in the United States Army, Pfc. Gall worked as a film projectionist at The Palace Theatre in Frostburg, Maryland.

In honor and remembrance of Memorial Day: A Memorial Day post from the writer of “Silver Screen Reflections” to remember & honor our brave servicepeople who made the ultimate sacrifice for our country. –C.H.

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“Svengoolie” presents his big broadcast of “Dr. Cyclops” (1940) with Albert Dekker, this Sat. on Me-TV

Fellow Svengoolie Super SvenPals everywhere will be dancing jumping for joy for his big broadcast of a classic sci-fi thriller/fantasy Technicolor visual effects masterpiece that was co-produced/released by the original incarnation of Paramount Pictures (1912-66)*.

“Svengoolie” presents his big broadcast of “Dr. Cyclops” (1940) with Albert Dekker

Original 1940 theatrical release trailer for “Dr. Cyclops” with Albert Dekker. Note how there is a title text masking block (around the 0:47 mark).

“Unbelievable.. yet done before your very eyes!” Original 1940 P***mount Pictures* advertisement for “Dr. Cyclops” with Albert Dekker (from “Screenland” magazine).

The legendary and iconic Berwyn/Chicago classic mammoth sci-fi feature film masterpiece host will present his big broadcast of “Dr. Cyclops” (1940); this Sat., May 23 19 at 8 p.m. Eastern/7 p.m. Central on Me-TV.

“Dr. Cyclops” (1940) was directed by veteran director Ernest B. Schoedsack and was produced by veteran producers Merian C. Cooper (who did not receive screen credit for  co-producing Schoedsack’s 1940 classic Paramount sci-fi-adventure-fantasy masterpiece production ) and Dale Van Every.  Seven years before the Paramount production of “Dr. Cyclops,” Schoedsack and Cooper; along with veteran stop-motion visual effects pioneer Willis H. O’Brien worked on their own groundbreaking classic mammoth stop-motion creature masterpiece for RKO Radio Pictures, “King Kong” (1933, co-produced with then-RKO production head David O. Selznick; with  Fay Wray, Robert Armstrong, Noble Johnson, Victor Wong, Bruce Cabot and the “eighth wonder of the world,” Kong!“), the classic mammoth RKO stop-motion creature/fantasy masterpiece sequel to “King Kong,” “Son of Kong” (1933, with Armstrong, Helen Mack, Johnson, Wong and John Marston) and the classic mammoth RKO stop-motion creature masterpiece production of “Mighty Joe Young” (1949, co-produced for RKO by veteran director John Ford under the Arko Productions moniker which featured Terry Moore, “Mr. Joseph Young,” Ben Johnson, Armstrong, Frank McHugh, Nestor Paiva of Universal‘s classic mammoth “Creature from the Black Lagoon”/Gill-Man monster trilogy masterpiece series fame, a pre-“Beverly Hillbillies” Irene Ryan, young Ellen Corby, young Dwayne Hickman later of TV’s “The Many Loves of Dobie Gillis” fame, Regis Toomey, Lora Lee Michel, Douglas Fowley, Denis Green, James Flavin and Paul Guilfoyle with stop-motion special effects work by O’Brien, Marcel Delgado and young Ray Harryhausen). 

“Dr. Cyclops” (1940) was produced by veteran screenwriter-turned-producer Dale Van Every. Three years before the original theatrical release of Schoedsack’s classic mammoth sci-fi masterpiece, Van Every co-wrote the screenplay adaptation for Victor Fleming‘s classic mammoth Metro-Goldwyn-Mayer (MGM) adventure/drama masterpiece adaptation of Rudyard Kipling‘s “Captains Courageous” (1937) with Freddie Bartholomew, Spencer Tracy, Lionel Barrymore, Melvyn Douglas, Mickey Rooney, young Leo G. Carroll and Charley Grapewin.

Veteran film and television screenwriter Tom Kilpatrick wrote the original screenplay for Shoedsack’s 1940 P***mount* production of “Dr. Cyclops.”

This will mark Sven’s tenth big broadcast of Schoedsack’s classic mammoth 1940 sci-fi-fantasy-adventure thriller masterpiece on the airlanes Me-TV.  He previously showcased “Dr. Cyclops” (1940) as a coast-to-coast big broadcast premiere back in Nov. 2011* and as regular Me-TV big broadcasts back in Sept. 2012*, April 2013, March 2014, Jan. 2016, Dec. 2017, March 2019 and Sept. 2020.

Who was in “Dr. Cyclops” (1940)?

The players who appeared in Schoedsack’s classic mammoth sci-fi-fantasy-adventure masterpiece production of “Dr. Cyclops” (1940) were Albert Dekker (as Dr. Thorkel, a.k.a. “Dr. Cyclops”), Janice Logan (as Dr. Mary Robinson), Paul Fix (as Dr. Mendoza), Charles Halton (as Dr. Bullfinch), Thomas Coley (as Bill Stockton),  Frank Reicher (as Professor Kendall), Frank Yaconelli (as Pedro) and Victor Kilian (as Steve Baker).

“Svengoolie” presents his big coast-to-coast premiere of “First Men in the Moon” (1964), this Sven Sat. on Me-TV

Fellow Super Svengoolie SvenPals everywhere will be dancing and jumping for joy for Sven’s upcoming coast-to-coast big broadcast premiere of a classic mammoth Columbia Pictures sci-fi masterpiece from one of cinema’s legendary and iconic stop-motion special effects pioneers.

“Svengoolie” presents his big coast-to-coast broadcast premiere of “First Men in the Moon” (1964)

Original 1964 Columbia Pictures theatrical trailer for Ray Harryhausen and Nathan Hertz Juran‘s classic mammoth Dynamation sci-fi masterpiece adaptation of H.G. Wells‘ “First Men in the Moon” with Edward Judd, Martha Hyer and Lionel Jeffries.

“H.G. Wells’ astounding adventure in ‘Dynamation’!” Original 1964 Columbia Pictures theatrical poster artwork for Ray Harryhausen and Nathan Hertz Juran’s adaptation of H.G. Wells’ “First Men in the Moon.”

The legendary and iconic Berwyn/Chicago classic mammoth sci-fi feature film masterpiece host will present his big coast-to-coast broadcast premiere of “First Men in the Moon” (1964) on the airlanes of Me-TV this Sven Sat. evening, May 9 at 8 p.m. Eastern/7 p.m. Central.

The classic mammoth 1964 Columbia sci-fi/fantasy masterpiece adaptation was directed by veteran director

film director Nathan Hertz Juran.

Early in his motion picture career, Juran worked as an art director for John Ford‘s classic mammoth Twentieth Century Fox (Twentieth Century Studios) drama masterpiece adaptation of Richard Llewellyn‘s novel, “How Green Was My Valley” (1941) with Walter Pidgeon, Maureen O’Hara, Anna Lee, Donald Crisp, young Roddy McDowall, John Loder, Sara Allgood, Barry Fitzgerald (of 1938’s “Bringing Up Baby” fame, 1944’s “Going My Way” fame, 1948’s “The Naked City” fame and of 1952’s “The Quiet Man” fame) and Patric Knowles (of 1941’s “The Wolf Man” fame and of 1943’s “Frankenstein Meets the Wolf Man” fame).

One of Juran’s earliest feature film works in his directorial career was his classic mammoth Universal Studios adventure-mystery-horror masterpiece production of “The Black Castle” (1952) with silver screen horror legends Boris Karloff and Lon Chaney Jr.; along with Richard Greene, Paula Corday, Stephen McNally, Paula Corday, John Hoyt, Michael Pate, Nancy Valentine, Tudor Owen, Henry Corden and Otto Waldis.

He also directed the classic mammoth Universal sci-fi insect masterpiece production of “The Deadly Mantis” (1957) with Craig Stevens (of TV’s “Peter Gunn” fame), Alix Talton, William Hopper (of TV’s “Perry Mason” fame), Helen Jay, Florenz Ames and Phil Harvey.

Hertz/Juran also directed directed his classic mammoth Allied Artists sci-fi/visual effects masterpiece that was co-produced by exhibitors-turned-producers Lawrence “Larry” Woolner his brother, Bernard Woolner and veteran executive producer/cinematographer Jacques Marquette; “Attack of the 50 Foot Woman” (1958) with Allison Hayes, Yvette Vickers, William Hudson, Otto Waldis, Michael Ross, Elieen/Eileene Stevens and Roy Gordon.

In the latter part of his directorial career, Hertz/Juran directed his classic mammoth Universal Studios werewolf masterpiece, “The Boy Who Cried Werewolf” (1973) with Kerwin Matthews, Elaine Devry, Robert J. Wilke, George Gaynes, David S. Cass Sr., Harold Goodwin and Tim Haldeman.

Ray Harryhausen (ca. 1958).

The visual effects sequences were supervised by veteran visual effects/stop-motion animator, the “father of Dynamation;” Ray Harryhausen, who also co-collaborated with Nathan Hertz Juran on the 1964 production. Harryhausen also served as co-producer of “First Men in the Moon.”

Harryhausen began his career as a first technician under veteran stop-motion visual effects pioneer Willis H. O’Brien for O’Brien, Merian C. Cooper, Ernest B. Schoedsack and John Ford‘s classic mammoth RKO Radio Pictures stop-motion creature masterpiece & the third RKO “Kong” feature in the studio’s “Kong” trilogy, “Mighty Joe Young” (1949, produced under the ARKO productions moniker) with Terry Moore, “Mr. Joseph Young,” Ben Johnson, Robert Armstrong, Frank McHugh, Nestor Paiva, a-pre “Beverly Hillbillies” Irene Ryan, young Ellen Corby, young Dwayne Hickman, Regis Toomey, Lora Lee Michel, Douglas Fowley, Denis Green, James Flavin and Paul Guilfoyle.

Harryhausen supervised the stop-motion creature effects for Eugène “Gene” Lourié‘s classic mammoth Warners creature masterpiece production of “The Beast From 20,000 Fathoms” (1953) with Paula Raymond, Paul Christian/Hubschmid, young Merv Griffin, young Lee Van Cleef, Cecil Kellaway, William Woodson, Kenneth Tobey,  Alvin Greenman, Steve Brodie, Paula “Mary” Hill, Michael Fox, Donald Woods, Frank Ferguson, Ray Hyke, Jack Pennick, King Donovan and Ross Elliott.

Harryhausen later collaborated with veteran producer Charles H. Schneer at Columbia Pictures, Harryhausen and Schneer formed a production partnership for the majority of their careers in the film industry.  The other classic mammoth “Dynamation” feature masterpieces that Harryhausen and Schneer worked on include:

Robert Gordon and Harryhausen‘s “It Came From Beneath the Sea” (1955) with Kenneth Tobey, Faith Domergue, Donald Curtis, Dean Maddox Jr., Harry Lauter, Ian Keith and Chuck Griffiths.

Fred F. Sears and Harryhausen’s “Earth vs. the Flying Saucers” (1956) with  Joan Taylor, Hugh Marlowe, Morris Ankrum, Donald Curtis, John Zaremba, Grandon Rhodes, Tom Browne Henry, Larry J. Blake, Fred Aldrich and the vocal stylings of Paul Frees.

Nathan Hertz Juran was no stranger to Harryhausen.  He also worked with Harryhausen and Schneer on the earlier classic mammoth Columbia sci-fi Dynamation creature masterpiece, “20 Million Miles to Earth” (1957) with William Hopper (of TV’s “Perry Mason” fame), Joan Taylor,  John Zaremba, Tom Browne Henry, Frank Puglia, young Bart Braverman (later of TV’s “Vega$” fame),  Jan Arvan, Tito Vuolo, Arthur Space an uncredited brief cameo by Harryhausen and the uncredited vocal stylings of William Woodson.

Juran also worked with Harryhausen and Schneer on their classic mammoth Columbia “Dynamation” fantasy masterpiece production of “The 7th Voyage of Sinbad” (1958) with Kerwin Mathews, Kathryn Grant, Richard Eyer, Torin Thatcher, Alec Mango, Danny Green, Harold Kasket, Virgilio Teixeira, Nana DeHerrera, Luis Guedes, Nino Falanga and Alfred Brown.

Don Chaffey and Harryhausen‘s “Jason and the Argonauts” (1963) with Todd Armstrong, Nancy Kovack, Gary Raymond, Laurence Naismith, Niall MacGinnis, Honor Blackman, a pre-“Doctor Who” Patrick Troughton and Michael Gwynn.

Jim O’Connolly & Harryhausen‘s classic mammoth Warner Bros.-Seven Arts Dynamation stop-motion creature/fantasy/western masterpiece of “The Valley of Gwangi” (1969) with James Franciscus, Gila Golan,
Richard Carlson, Laurence Naismith, Freda Jackson, Gustavo Rojo, Dennis Kilbane, Mario De Barros, Curtis Arden, the vocal stylings ofRobert Rietty and “Gwangi.”

Gordon Hessler and Harryhausen‘s “The Golden Voyage of Sinbad” (1973), with  John Phillip Law, Caroline Munro, a pre-“Doctor Who” Tom Baker, Grégoire Aslan, Kurt Christian and Martin Shaw.

Sam Wanamaker and Harryhausen‘s “Sinbad and the Eye of the Tiger” (1977, Harryhausen and Schneer’s final feature with Columbia Pictures), with Patrick Wayne (the son of John Wayne),  Jane Seymour, a post-“Doctor Who” Patrick Troughton, Taryn Power, Kurt Christian and Bernard Kay.

Desmond Davis and Harryhausen’s classic mammoth Metro-Goldwyn-Mayer (MGM) fantasy masterpiece prouduction of “Clash of the Titans” (1981, Harryhausen and Schneer’s final feature film collaboration) with Laurence Olivier, Claire Bloom, Maggie Smith, Ursula Andress, Harry Hamlin and Burgess Meredith.

Adapted from H.G. Wells‘ 1901 classic mammoth sci-fi masterpiece novel of the same name, the screenplay for Harryhausen and Hertz/Juran’s classic mammoth 1964 Columbia Dynamation sci-fi masterpiece feature adaptation production was written by veteran screenwriter Nigel Kneale and Jan Read.

In Sven/Rich’s home area of Berwyn/Chicago, Illinois; Sven/Rich previously aired Harryhausen and Hertz/Juran’s classic mammoth Columbia Dynamation sci-fi/fantasy masterpiece adaptation of “First Men in the Moon” (1964) as a Berwyn/Chicago Sven big broadcast premiere on his home TV station, WCIU-TV 26/”The U” back in Feb. 2011; according to IMDB.

Who was in Ray Harryhausen and Nathan Hertz Juran’s classic mammoth Columbia Pictures “Dynamation” sci-fi/fantasy masterpiece adaptation of H.G. Wells’ “First Men in the Moon” (1964)?

The players who appeared in Ray Harryhausen and Nathan Hertz Juran’s classic mammoth Columbia “Dynamation” sci-fi/fantasy masterpiece feature adaptation of H.G. Wells’ “First Men in the Moon” (1964) were Edward Judd (as Arnold Bedford), Martha Hyer (as Kate Callender), Lionel Jeffries (as Joseph Cavor), Miles Malleson (as the Dymchurch registrar), Norman Bird (as Stuart), Gladys Henson (as a nursing home matron), Betty McDowall (as Margaret Hoy), Hugh McDermott (as Richard Challis), Peter Finch (in an uncredited role as a bailiff man), Paul Carpenter (in an uncredited role as a newspaper reporter), Erik Chitty (in an uncredited role as Gibbs), Valentine Dyall (in an uncredited role as the narrator), John Forbes-Robertson (in an uncredited role as a reporter), Laurence Herder (in an uncredited role as Glushkov), George Hilsdon (in an uncredited role as a constable), Sean Kelly (in an uncredited role as Col. Rice) and Marne Maitland (in an uncredited role as Dr. Tok).